A Geography of Reading

"It is by reading novels, stories, and myths that we come to understand the world in which we live." -Orhan Pamuk

What My Mother and I Don’t Talk About

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Mother’s Day is nearly here and whether you’re of the group that posts adorable tributes to their mothers or the one that cringes (or openly shames those posters) because their reality doesn’t reflect yours (or you live somewhere in between), this might be a good year to read What My Mother and I Don’t Talk About. It was for me. While I especially loved that the experiences represented in the essays therein were diverse enough to reflect mine and also to challenge my thinking, I was also grateful to get new angles on my relationship with my mother and with myself as a mother.

“There is a gaping hole perhaps for all of us, where our mother does not match up with ‘mother’ as we believe it’s meant to mean and all it’s meant to give us.” – Lynn Steger Strong

Maybe “motherhood” is such a loaded concept because so much of who we are and who we believe ourselves to be is tied up in our relationship with the woman of whom we are borne. For too many of us that concept becomes something we have to work on for the rest of our lives as we grow from infants to children to adults and maybe even parents. It is for me. I think it has been for my mom, too. This complexity made me appreciate the ways in which the writers in this collection worked to understand both themselves and their mothers as separate beings in addition to examining the deeply close relationship between individuals.

“Our mothers are our first homes, and that’s why we’re always trying to return to them.” – Michele Filgate

Individuation is a Bitch (and So Was I)

It took a therapist to teach me the word “individuation” and it took my son to really teach me what the word means. At three and a half he’s stretching that individuality in all the ways he’s meant to. I can see how it hurts him to rip himself from me and how much he needs to know he’s welcome back. I can see how deeply he needs to have that space to become and how much he has no idea that his own actions can hurt, too. It reminds me of both the teen years to come and of my own teen years. I don’t think it’s fair to call myself a bitch (beyond even the patriarchal implications of that word) but not only was my own becoming hard on me, it was hard on my parents. I was hard on my mom. Our relationship now is not what I think either one of us wants it to be but I don’t think either one of us knows yet how to bridge the hurts.

“In their company I find myself turning mute, surly, rude. I become a different person than I know myself to be, a different person than my close ones know me to be. The burden of the unsaid turns my heart into a balled fist.” – Nayomi Munaweera

Nayomi Munaweera’s essay “Her Body / My Body” about her mother’s inability to separate her idea of herself from her daughter hit close to home for me. The conflict is neatly summed up as “she saw no difference between her body and my body,” except if you’ve been in this kind of relationship you know how much that “neat” sentence conceals. While my mom did not wipe my ass until I was 12 (thank God!), I’ve struggled at times to feel like my mom sees me as a separate being. The push-pull of individuation is so necessary and yet it can be so painful for everyone, it’s no wonder that so many relationships break down along these lines. I hope I can do better with my son. Most days I am not doing better with my son.

Mothers are Humans

News flash! The fact that our mothers are human should not be surprising and yet the idea sort of rubs. When we are infants mothers seem purpose-built to meet our needs. As we grow up we grow into meeting our own needs many of us (guilty!) never really turn around and fully look at our mothers as people too.

“I felt so much like her and I wanted to tell her how. But I have made that phone call and it has failed me too many times.” – Lynn Steger Strong

Although Leslie Jamison’s relationship with her mom is wonderfully close—so much so that she writes how her friends never want to hear about the joy of that relationship, even in closeness there are things to learn. Jamison’s essay is about connecting with her mother’s former husband so that she can be even closer to the idea of her mother. When Jamison writes “How many times has my mom picked up the phone to hear my voice cracked with tears, only letting it crack once I knew she was there?” she is realizing new depths to her mother and that even the advice her mother has to offer isn’t something she’s fully inhabited herself. Instead that “wisdom” can be “a kind of muscle memory—something she might have wanted to tell that version of herself.”

This is tricky, because if our mothers, the women who represent the pinnacle of humanity, aren’t perfect, than how can we ever hope to be?

Brandon Taylor’s essay, “All About My Mother” left me with excellent homework. The essay is filled with a gorgeous back and forth about the ways his mother loved him and the ways she hurt him. He’s clearly grappling with understanding how both could co-exist, but in the final page of the essay he writes a slew of declarative sentences to describe his mother. I’d say they’re simple but they aren’t—the ideas are complex and the sentences contradict each other, but they are free of judgment and bring us closer to seeing her as a full human. I know that I can get closer to my mother by trying to see her in the same way. Maybe I’ll discover something as remarkable as André Aciman’s observance that his deaf mother could understand his masked conversation simply by following the movement of his eyebrows.

I was once my mother’s confidante in ways that I did not want to be. In this I related to “Nothing Left Unsaid” by Julianna Baggott which gave me a new lens to view that experience through… Baggott’s own examination and growth took me from feeling victimized by TMI to seeing my mother as a woman who might not have had anyone else to talk to.

“It’s the fear that I’ve learned less from my childhood than I should have, that I am more like her than I want to be.” – Carmen Maria Machado

The Strength to Mother Ourselves

I first heard of this book during a panel at AWP entitled “Writing the Mother Wound” where a couple of these essays were read. I learned a lot from that panel, not just about writing about motherhood but also about living with my own mother wound. One of the lessons that hit home was from Vanessa Martir who said, “I may be unmothered, but I will always want my mother’s love.” I realized then that I needed to look into this experience and not run anymore from what isn’t working. Because I do love my mom and I want her to love me. I think she does, but there are still voids between the love she gives and the love I want to receive… voids I have to learn to fill myself.

“To grasp that which has hurt you, you must trust it not to hurt you when you let it inhabit you.” – Brandon Taylor

In some ways I dream of having Alexander Chee’s grown-up experience… the one where he talks to his mom about some really hard things and she helps him rewrite his narrative more fully. It’s a door that opened for me this winter when my maternal grandmother (a well of toxicity) died and I finally had a long overdue conversation with my mom. I heard some of the things I needed to hear that day, but I’m still having trouble trusting that our next conversation will build from there. And I fear that this next quote is optimistic.

“There is a difference between the fear of upsetting someone who loves you and the danger of losing them.” – Melissa Febos

Other Things I Loved in This Book

There were so many moments in these essays I related to in ways that were not about my mother. From Jamison’s description of writers as vampires to Machado’s love/fear of toddlers and how children destroy writing to Kiese Laymon’s observations that “the folks I’ve been most harmful to in this country are people I thought I loved.” The stark patterns in “Fifteen” by Bernice L. McFadden broke my heart hard and I felt deeply for the woman Dylan Landis’s mom could have been (even if only romantically so) in “16 Minetta Lane.” I recognized the woman Cathi Hanauer’s mother is in “My Mother’s (Gate) Keeper” and am still learning from the idea of living with the itch of a mosquito bite. The way Melissa Febos inhabits her mother’s lexicon in “Thesmophoria” is pure magic and Michele Filgate’s reminder that sometimes the deepest hurt is betrayal was illuminating in ways I won’t go into now. The book is rich and the experiences varied. I think readers of all kinds of backgrounds will find something in it to relate to.

What I Really Want for Mother’s Day

Since becoming a mother I haven’t been the best celebrant of Mother’s Day in regards to my own mom. I’ve wanted to soak up the time and love of my son and husband. I’ve wanted to enjoy the cupcakes and flowers and uninterrupted baths. This year I’ve asked them for a trip to the garden store and a planting-a-thon in our gorgeous back yard—my safe haven from the world. But this year I also want to talk to my mom. I don’t know what I want to say and I don’t know what I want her to say, but I do know that the cord between us is not completely cut, nor do I want it to be. So I’m going to sacrifice some of my guaranteed bliss for a shot at the bliss of mending fences. Wish me luck!

I don’t recommend you send your mom What My Mother and I Don’t Talk About for Mother’s Day, but I do recommend you send it. Start a conversation about something you’ve never said or about something you’ve never asked. Talk to her like a human you love, one who you may not have fully recognized as a separate human. I’ll bet money hearing from you is what she really wants on any given day.

Your homework is to pick up a copy or two of What My Mother and I Don’t Talk About from Bookshop.org. Your purchase keeps indie booksellers in business and I receive a commission.

Friday Night Lights on Race, Class, and the Makings of a Hero in Texas

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When I found a copy of Friday Night Lights by H.G. Bissinger in a Little Free Library on Super Bowl weekend, I thought it was placed there to help me brush up on my football lingo before writing a big article for work. Instead, I think it was there to help me get through the following weekend—the weekend of my Djiedo‘s memorial service in Austin. It was a timely lesson, too, in the problems of racism and classism that persist in our country, but what made it just right for me right now was understanding what makes a hero in Texas (or anywhere).

Endemic Racism

We know we have a problem with racism in our country. Or at least I hope we know how much of a problem it is. It was helpful for me, though, to dig into this story of a small(ish) Texas town obsessed with football and how much they did not see (or did not want to see) how they excluded entire categories of people based on the color of their skin. Living (as a white person) in the Northwest, it has been easier for me to pretend that the civil rights era put us on the right road to setting ourselves straight. But reading about Odessa forced me to look hard at some ugly facts. It’s hard to change the views of people who are comfortable with their lives, even (especially?) if those lives are lived on the backs of others. I was gobsmacked by the fact that Odessa’s high schools were not integrated until 1982. Not only that, but the sense of white entitlement that accompanied that segregation.

This book made me look differently at my Texas experience this time around. I’ve been looking even harder at my own actions and beliefs in the past few weeks as I’ve watched the Ralph Northam controversy unfold. I’ve never worn blackface nor a klan uniform, but I know I’ve said some racist, bigoted, sexist, and downright mean things in my life. I’m actively trying to be better, but that doesn’t change the hurt I put into the world. Looking around me in Texas this trip, I’m seeing so much of what I’ve failed to see at home—the stratification of the society around me. I see the Hispanic cashiers at the CVS, the Hispanic cooks working behind white cashiers at the BBQ joint, the almost entirely white and Asian audience at my grandfather’s memorial.

When my Djiedo’s people came to the U.S., they were just hunkies—a racial slur that encompassed anyone from Eastern Europe. He worked his way up from coal miner to professor to presidential advisor, but none of that makes me entitled to better treatment or a better life just because my ethnicity blended out in a generation. I was shocked to read about the casual racism in Odessa and it was also all too familiar. It’s easy to think I’ve earned the life I have based on my merit (that’s the American ideal, right?) when really I’ve had so many advantages (and not just racial ones).

Class Matters

One of the stories I was raised with was that my Djiedo was friends with everyone—from the man who made paperclips to the man who owned the paperclip factory. In some ways I think this was true as I’ve met some of the friends he accumulated over the years. True that many of them had achieved much in life, but some of that was that age gives us time to accomplish much and I often had the feeling that Djiedo had known many of these men “when”—before they became the titans they became.

Reading about Odessa’s origins and the glorious days of oil booms and the terrible failures of busts, the fact that people were pulling down large salaries with little to no advanced education and then were flat busted when the price of oil changed reminded me how much of our identity we tie up in our achievement—and how hard we fall when that achievement is taken away. It made me think about how harder it’s getting to make a living wage, even with a college education and how, as a country, we’re drowning in student loan debt because school seemed to become the right (only) option after 2008 even as tuition skyrocketed. How this takes us all so much farther from the “pull yourselves up by your bootstraps ideal. How it makes us afraid. How in our fear we pull even farther apart as a country. How a life like my Djiedo’s is still maybe possible, but not really. And I wonder what we’ve become.

The Making of Heroes

On a hill in the middle of the Texas State Cemetery stands a granite stone as close to burnt orange as you nature allows. On that stone the names of my grandfather, grandmother, and aunt are engraved, their ashes buried beneath. It was a big deal to my Djiedo that he was able to be buried there. Having never forgotten where he came from, acclaim mattered in every bone of his body.

I couldn’t help but think of my Djiedo as Bissinger returns again and again to the image of the Permian Panthers as gladiators—boys who carry the hopes of an entire town for a few months in the fall. While being a player didn’t change their class, they were heroes on the field. Until they weren’t. Some of those boys made good after, but not based on the brutal things they did to their bodies in that stadium.

Because my Djiedo was building for the long haul, his sense of achievement only grew with time and he never had to experience that sense of bubble bursting. Instead, my family and I sat in a large hall on Saturday while deans and a university president lauded my grandfather. They talked of his energy, the way be made friends with everyone (and for life), and his propensity for throwing erasers at sleeping students. It was a surreal experience. The kind of thing Djiedo soaked up and loved, the kind of thing most of the rest of us dreaded (being trotted out for display for the achievements of others can make you feel, well, less than achieved yourself), but something I know he earned. The stories were familiar, the film, too, but appreciated, all of it. There was a lot of love in that room for my Djiedo. And reminders that my own heart could (and should) be more open. That I have been given everything and now my life is only what I make of it (in alignment with whatever values I choose).

Life is not linear. Nor is the path to success. I was reminded of that and inspired when, at my Djiedo’s graveside, my cousin did what I would never have thought to do—she opened the lid to the urn and let my curious son release a smidgen of Djiedo back into the world. Djiedo lives on in places of honor—that cemetery, the John J. McKetta School of Engineering at the University of Texas, in my heart. And his legacy is set. Now it’s my time on the field. May I do honor to the name of great man and to the life I have been given.

Beginning a New Year as I Mean to Continue – with the Alchemy of the Word

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I wanted to write this review in December, but I was busy stealing moments to make writing from the inspiration I found in Alchemy of the Word.

I wanted to write this review over the Christmas holiday, but I was practicing balance.

I wanted to write this review on New Year’s and fill it with links to all the posts I’ve previously written about inspiration, but I had just found out that my grandmother died.

So here I am beginning the new year as I mean to end it, practicing balance, experiencing the fullness of life, and giving myself a little grace for the fact that I am trying my best. (If you need to give yourself a little grace, let Icess guide you).

Practice, Practice, Practice

alchemy of the wordI used the word “practice” very deliberately above, because I am not good at balance but it is a skill I’m trying to polish, just as writing is a skill that requires practice. The writers whose essays make up Alchemy of the Word are all very practiced writers and, as members of the faculty of Goddard College (my alma mater), are also tasked with helping new writers get into the habit (practice) of writing. The essays in this collection come from the speeches our teachers use to inspire us at residencies and to (lovingly) warn us about the writing life to come at commencements. They are about subjects as myriad as craft elements, literary activism, and failure. This last one is especially important (and frequent) because failure looms when you don’t practice. More so, failure plagues when you “fail” to see the success that is simply continuing to practice.

Rebecca Brown on failure

As I read this book, I found myself looking for essays I might have originally heard delivered aloud but ultimately found that didn’t matter. The know-how of practicing is something I’ve already absorbed. Instead each of the essays in Alchemy of the Word served as a much-needed reminder to practice.

Balance is Tricky, Balance is Necessary

As a working writer/mom/wife, the breadth of life in these essays reminded me that writing is part of my balance, not something I can add on after. Deborah Brevoort contextualized the anti-intellectualism that’s plaguing our politics (and chinking away at my soul), Elena Georgiou encouraged me to search for my own personhood and to fill myself, Keenan Norris reminded me that I actually love the humility that comes with writing, and Micheline Aharonian Marcom exhorted me (again) to “Do [my] work.”

But to do my work (well), first I must fill up again. And I must develop a plan to keep myself filled during all the things that are to come. Here’s the advice from Alchemy of the Word that I’ll be carrying close to my heart as I navigate finding my balance:

“As a writer, I think of my body as a well that is mostly filled through reading.” – Elena Georgiou

“Remember to be absent, Writer. Be in the habit of being absent more often.” – Kyle Bass

Keenan Norris on humility in writing

Life Happens. And Then You Write about It

The sympathy that might have jumped into your heart when you read “my grandmother died” is not really earned. I hadn’t spoken to my grandmother since 2012 when she called on my birthday to yell at me for not inviting her to my wedding. I didn’t invite her to my (tiny) wedding because I didn’t like her. I didn’t like her because she’d never taken the time to get to know me. Are there things to mourn in my history with my grandmother, yes, but they are probably not what you expected at the outset.

“Inherent in the creative process is a perpetual tension between love and loathing that gives art its life.” – Aimee Liu

I wish that my grandmother’s tension between love and loathing of the female line she created had tipped more toward love, but the tension is something that gives life to my own work. In Alchemy of the Word, I was reminded to write deeply:

“You have to go to the scariest places, the absence, where nothing has been said so there is no protection at all.” – Rahna Reiko Rizzuto

“It is our duty as artists to enter into those places that are kept most secret in ourselves, and bring them to light not so much that we may be healed, but so that others might.” – Paul Selig

Today is the first time I’m explicitly writing about my relationship with my
grandmother, so I don’t pretend my thoughts are profound. I do hope that at the very least I can offer someone the comfort of solidarity in the complexities that are family relationships.

For myself, I’m taking solace in the birthday call I received from my other grandmother (my Baba) in 2011—a call I took on the beach at Port Townsend— the very same beach I so often walked while at Goddard. It was the last time I talked with Baba and I was sad that day in knowing that was probably true. But I am filled with joy at the thought that Baba saw me and loved me enough for two grandmothers.

How I Plan to Move Forward

This year I will write. I will try new things and fail. I will try new things and succeed. I will practice. I will read and take time to be absent. I will be kind to myself. Most of all I will play, because these two quotes resonated with me more than any of the others in Alchemy of the Word and helped me find the joy and purpose in this writing life:

“Being a writer is to be a student without end, and it is to be at play without end. The two are tied, study and play. Both commit us to risk and remediation, that is to learning, always to learning.” – Keenan Norris

“The artists I know have the capacity for wonder and surprise coursing through their veins. And they are all riotously free—whether they have, the way my mentor had, summers off or not.” – Michael Klein

I’m off to play now—to read, to soak in a tub, to watch my son create Playmobil orchestras, to joke around with my husband and to think. All of this is practice. All of it is life. And I am lucky.

To freedom.

To reinvigorate your writing practice pick up a copy of Alchemy of the Word from Bookshop.org. Your purchase keeps indie booksellers in business and I receive a commission.

Reading in the Aftermath of the Kavanaugh Confirmation

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Depression robs me of feeling and enjoyment. It can also be a strong wake-up call to get back in touch with the things I value quick quick. Listening to the Kavanaugh hearings and all the blather afterwards I felt all the emotions—from the hope that a woman’s voice would be heard against the establishment to the devastation of having my worst expectations confirmed. I tried in those first few days to engage with my family and to touch the thing that always brings me back to myself—books—instead I found myself changed. I don’t know yet if for the better or the worse, or even if this change is permanent, but it’s big enough to explore, here, with you.

Silencing the Cacophony of Mansplaining

a feast in the garden - george konradThe first thing I noticed about how my reading was changing was that I suddenly wanted to throw A Feast in the Garden by George (Gyorgy) Konrád against the wall. I’ve had this reaction before when reading Roberto Bolaño—I loathed his narrator’s didacticism and the way it put me directly in touch with the (male) narrator’s thoughts about the story while distancing me completely from the (female) protagonist’s actual experience. Yes, this could have been done for effect, blah blah blah, but as a woman in this society I’ve had my fill of men explicating something I could or have experienced. I actually loathe the phrase “mansplaining,” but even more so I loathe the male voices that seem to find their only personal fulfillment in explaining—especially when they’re explaining my own experience (or something I know more about than they do) to me. This is not all men, but it’s too many. And I think it’s part of my on-again, off-again beef with Hemingway. Something I did not realize until this week.

So for one moment I feared I was off male narrators forever. Thankfully, Konrád is a brilliant artist and I came to see the effect of what he was doing in this book (which I am still reading, slowly, as his writing demands and deserves). I do, however, feel a lot more comfortable chucking narrators who don’t earn their keep right out my damned window…

Do I sound angry? I am. And embracing my actual feelings instead of trying to make them palatable was something that led me to this next book…

Getting Intimate with Women’s Darkness with Toddler-Hunting & Other Stories

toddler-hunting - kono taekoI felt a little dumb when Toddler-Hunting & Other Stories arrived and I realized it was not by Yōko Ogawa (whose dark short stories in Revenge I adored) but instead by Kōno Taeko, a completely different female Japanese author who is also not afraid of taking readers to dark places. But Toddler-Hunting & Other Stories was fantastic, so much so that I wish I could give proper credit to whomever recommended it to me.

What made this the exactly right book for me exactly right now is that listening to Dr. Ford’s honest, gentle, people pleasing ways in that hearing I honestly believed someone might hear her. But that too-common female approach to power got bowled the fuck over and I needed to experience a completely different approach to female power. Do Kōno’s protagonists feel even a little bit guilty about how damned bad they are as they do things like stalk other women’s children? Maybe. They don’t feel at all bad about asking for whatever they want in bed, though, and I loved them for that (even though I wish at least one was the dominant rather than the submissive in the recurring BDSM scenes in this book). I loved being inside the experience of women who felt real to me in their myriadness.

By far my favorite story in this collection is “Snow,” a tale whose psychological underpinnings are so on point I gasped and felt physical pain when I figured out what was going on. It delved deep and unashamedly into the ugly that can be relationships between women—something I fear will prevent the kind of voting backlash I hope for in November. Toddler-Hunting & Other Stories is fantastic. Read it.

Embracing Allegory in Playthings

playthings - alex phebyI’m not going to presume that Alex Pheby’s Playthings is a tightly scripted allegory of our present day (partially because it was originally published in 2015 and also because it’s actually about one of the most famous cases of paranoid schizophrenia in history), but let’s pretend for a moment it is. At first I was not sure that I could delve deeply into Schreber’s all-consuming self-centeredness (for example, he so completely can’t deal with the fact that his wife has a stroke that the action in that scene then has to completely center around him), but I went with it long enough to get immersed in this superb example of what it feels like to be gaslit by everyone around you. Pheby does a wonderful job of draining the life (at least from Schreber’s point of view) from all the characters around the protagonist and of portraying this man’s madness. I guess that’s the secret sauce of gaslighting, isn’t it? We all have some secret weakness that can be turned against us and drive us to madness. The fact that Schreber is in fact mad makes it just that much easier.

The old-timey feel of this book belies its modern effectiveness. I loved the way Pheby played with chapter introductions—using the length of 18th century-like chapter titles and the feeling of interludes—to transition us through this strange story. The historical setting also contributes to this effect. I was glad we never quite get Schreber’s diagnosis because experiencing the symptoms (and getting to wonder how much the people around him were exacerbating them) was much more powerful than having a concrete, rote, dead name applied to that experience (maybe because I don’t like things being explained to me). Telling myself that this book was an allegory made getting through the day a lot easier and I was enthralled enough by the middle of Playthings that I stopped taking notes. That’s a good sign. Check it out if you want a fictional look at what it feels like to feel completely insane.

I have not recovered from the depression or the related dashing of my hopeful illusions (over and over and over), but I’m no longer letting the current political crazytown keep me from my favorite coping mechanism, either. What are you reading to put light in these dark days?

If you need a good literary escape, pick up a copy of Toddler-Hunting & Other Stories, Revenge, or Playthings from Bookshop.org. Your purchase keeps indie booksellers in business and I receive a commission.

Nobody Told Me | After Birth | Like a Mother

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How often do three titles coalesce into a relatively coherent expression of the experience of reading them? I was going to call this review “Revisiting Pregnancy Narratives After Three Years of Motherhood” because something made me delve back into this topic almost exactly three years after the birth of my son, but somehow Nobody Told Me, After Birth, and Like a Mother was just perfect. Even (especially?) in its semi-coherence.

I feel blessed to live in an age where such a wealth of literature (fiction and non-) is being produced to counter some of the crap that our culture has converged around as our vision of motherhood. There are precursors, yes, and I’ve written about some of my favorite pregnancy books for writers previously, but Nobody Told Me, After Birth, and Like a Mother spoke hard to my mother self, writer or not, and I wanted to share why.

Nobody Told Me

nobody told me - hollie mcnishI’ll admit that when my husband gave Nobody Told Me by Hollie McNish for Mother’s Day “because it was on your to-read list” I had absolutely no memory of having ever heard of this book. While people did tell me I’d experience “pregnancy brain,” no one told me (that I remember anyway) my ability to retain information would be permanently altered (or at least that’s my experience so far).

There were so many thing no one told me (and which I cannot remember) that reading McNish’s contemporaneous journal of her pregnancy and first three years of motherhood made me feel wonderfully immersed in that world again. Her voice is gently honest, and whether she’s recounting the everyday indignities (like having no one offer you a seat on the bus when you’re ginormous) or sweetnesses (“When no one is watching, I feel amazing. Like that gigantic, ripe, juicy magic peach”) you’re endeared to her (and, if you’ve been pregnant, to your own memories both good and bad). She’s also deeply generous to the people around her—taking the necessary moments to look at why her grandmother tries to spare her the “embarrassment” of walking around her village pregnant and unwed or when McNish takes pity on her father who is helpless around her child and examines why his generation of men is that way and all the things they’re missing as a result.

I loved that she included her (basically unedited I think) poems in this text, even though I did not always love the poems, because they made me love even more this huge body of work I created while pregnant that I’ve been somewhat embarrassed by (both because I’ve been adding a derogatory “mommy poetry” label to it and because I was new to poetry so a lot of it really isn’t good).

Whether credit goes to me for finding this book (which will be issued in the US this November) or to my husband for having the memory to get it into my hands, I don’t care. I’m just glad I read it and that I read it right now.

Like a Mother

like a mother - angela garbesHow strange and wonderful it felt to find Like a Mother: A Feminist Journey through the Science and Culture of Pregnancy in a newsletter for a local bookstore because Angela Garbes is a local author and though our worlds have not overlapped, I feel like our experiences have. There was not as much revolutionary science as I hoped in this book (partially because I did get to read Penny Simkin and some others who are trying to give pregnant women actual information while I was pregnant), but I still loved the book and I learned a lot of things. Most importantly I learned to trust my own experience.

Garbes is witty and straightforward as she recounts the kinds of stories I have only ever shared with closely trusted family members (maybe I should be better about breaking the “nobody told me” cycle but I might let Garbes do it for me). From breastfeeding to sex to the importance of being cared for during pregnancy and birth, this book touched so many memories (and nerves) for me.

Through the gory (fascinating) details of the function of the placenta to the beauty of the ways that life and death coexist in a woman’s body as she carries with her forever the cells of motherhood, I felt grief while reading this book and I felt empowered. Most of all I felt normal, a sensation that is far too uncommon in these somewhat lonely days of parenting.

After Birth

after birth - elisa albertThough it was Garbes who wrote about how parents “lean into the utter obliteration of their previous selves,” it’s Elisa Albert who dives all the way into exploring that experience in her novel, After Birth. The thing I love most about this book (among many) is how deeply angry new mother Ari is. It’s something I’ve seen lambasted in reviews, which I understand because it’s directly in opposition to the sweet, loving acceptance we all want to think our mothers immediately felt when we were born, but it’s fucking real. Especially in a world where too many of us are too alone in this event that changes our lives completely.

Ari grapples with a birth that did not go how she wanted it to (this is a euphemism because no one except other mothers really wants to even hear about shitty birth experiences), a body that’s irrevocably changed (torn apart), and a community that either does not or cannot meet her needs (in many cases because they aren’t even there). In short, it’s an all-too-familiar tale, but one that many women suffer in silence. I loved how angry Ari was because anger is the last thing we want moms to express and yet it’s a very real emotion (and one that doesn’t get better if we don’t feel entitled to even feel it).

After Birth can be as uncomfortable to read as the title is to imagine. It’s also funny and dark and real and I want all of my friends to read it and then I want us to say, collectively, all the taboo things about parenting REALLY FUCKING LOUD.

If you want to get real about pregnancy and early parenting, pick up a copy of Nobody Told Me, Like a Mother, and After Birth from Bookshop.org. Your purchase keeps indie booksellers in business and I receive a commission.