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A Geography of Reading

"It is by reading novels, stories, and myths that we come to understand the world in which we live." -Orhan Pamuk

Revisiting My Roots with Energy by Elisabeth Sharp McKetta: On Finding My Center

December 9, 2017 by Isla McKetta, MFA 2 Comments

energy - john j mckettaNot many people have the fortune to read a biography of their grandfather. I feel especially privileged to have just finished reading Energy: The Life of John J. McKetta Jr. while my beloved grandfather, a man I call Djiedo, is still alive at 102. Written by my cousin, Elisabeth Sharp McKetta, this loving portrait not only brought me closer to my roots, but in doing so helped me find comfort in a time gone awry. It is impossible to impartially review this book, but I do want to share some of the lessons I learned while reading it, because, while some are very personal, I think they can help more than just me.

Humans Are the Best of What We Have

One of the lessons drilled into me as a child by my father who learned it from Djiedo was how a person’s worth was not tied to what they did for a living. This is something that’s been top of mind lately as the Republican Party seeks to reward donors and reinforce the growing divide between rich and poor in the US. And it wasn’t until I read “wealth can never be a measure of worth” in Dan Rather’s poignant Facebook note that I could pinpoint exactly what my discomfort with recent events was. I assumed we all thought that wealth wasn’t a measure of worth. Naive, perhaps, but also a worldview that forms who I am.

The value of humans rather than wealth seems natural for a man who rose from coal miner to university chancellor and presidential advisor, but it’s one that’s all too easily forgotten. It’s one we mask by talking about “a man being the sum of his actions and not his inheritance,” but judging by how much of Djiedo’s admittedly fantastic rise was influenced not just by his drive but by the support of others, human connections are the only real wealth in the world.

Material Wealth is Impermanent

Something I’ve feared desperately since I got laid off last year and Trump was elected is how I would take care of my family in an economic downturn, or worse, a war. Reading Energy, I realized that worry itself was a luxury. When the Great Depression hit the McKetta family, they were poor enough to not have much to lose. It was the Smith family, my grandmother and her parents, whose fortunes fell because they did. I have a home, bank accounts and a cushy corporate job, but this book reminded me that it’s my loved ones who matter. Tragedies can happen there, too, and did to my Djiedo, but I can’t live in fear of those, either, because life goes on and we carry our people with us.

Connections Can Last a Lifetime—Or More

Speaking of people I love, this book reminded me that family is what you make it. I did know that, but in the past three years of pregnancy, birth and raising an infant without any close family nearby, I’ve let myself get pretty isolated. What a wonderful feeling this week to pair the addressing of my Christmas cards with reading in Energy about how Djiedo kept in touch with so many people who touched his life for so long.

That actually brings up a funny story. Dr. Eugene P. Schoch started the Chemical Engineering department at the University of Texas that’s now named for Djiedo, and when Dr. Schoch recruited Djiedo, he, Baba and my infant father lived in a building behind Dr. Schoch’s house. On my Christmas card list is a Stephanie Schoch—the great-granddaughter of Eugene. I met Stephanie two years ago when I used AirBNB to book the building behind her house so that my husband, my infant son, and I could attend Djiedo’s 100th birthday party. Point being that the world is small and we can let it feel large and unmanageable or lonely but it doesn’t have to be. Those connections are there if we preserve them—as Djiedo has and as I’m relearning to.

Honestly Learning from Anyone You Can

Some of the people Djiedo kept in touch with were his mentors. One of the most beautiful things Elisabeth did in Energy, and I’m sure this was blessed by Djiedo’s stellar recall and generous willingness to share attribution, was to trace some of the most important and memorable parts of Djiedo’s character to his mentors.

This is an excellent reminder that not only are our lives touched every day by people we can learn from, but we touch lives too. In a time when so many “mentors” and men in power are being called out for sexual harassment, abuse, and assault, perhaps one of the most important things we can all do is to look at our own behavior and see where we have failed those who looked up to us and how we can not fail next time. There’s an anecdote in Energy about Djiedo being confronted with his own sexism. While I think he came by his beliefs honestly (from his culture, his family, his time), what is very much to his credit is how open he was to learning a new way to be. I hope I have the courage to learn as well from my own mistakes.

The Advantages of Staying Busy

Busyness is what makes Djiedo the man he is. On days when you’re not prepared for this energy, you might call it frenetic, but it’s also a key to his success and to who he is. Instead of going off to college to find himself like so many of us do, Djiedo launched a personal campaign to get himself admitted to a university and then worked three jobs to ensure he had food and shelter while he obtained that degree. As a professor he was an editor (something I did not know), a lecturer, a board member, and also a presidential advisor. This is a pace I believe he sustains even now. Though at 102 he sleeps many more hours than he used to, I know from personal experience that there is not a minute wasted in his day as he keeps up with old acquaintances and feeds his busy brain.

As an inheritor of this type of energy, it certainly feels frenetic in my chest, especially as I woke at 4am all week to read about Djiedo during hours I usually describe as “McKetta early” because so many of Djiedo’s descendants greet the dawn way before the sun is ready to get up. But I know this energy is also what allows me to find time in the week to have a corporate career while spending time with my son and also writing books.

What’s painful to admit is that I’ve let my own busy life become an excuse for avoiding visiting Djiedo. I wondered often while reading Energy how the type of career that allows one to become a presidential advisor affects the family back home. Although Djiedo lived the ideal male role of his time, I’m not sure the time away from family is something I want for myself and I see that my choices aren’t reflecting my values. I’m afraid of losing him the way we lost my grandmother, Baba, but we will lose him eventually and staying away only squanders an opportunity.

Baba, the Heart of it All

The hardest part of this book for me to read was the section about Baba’s decline and death. Not because she wasn’t ready to die, she had been for a long time, but because she was the heart of us all. I witnessed Baba’s moderating effect on Djiedo that Elisabeth describes in Energy and I know that from my love of reading to the deep patience and quiet I am capable of, a good share of who I am comes from her as well. Being in Baba’s very presence was a grounding, healing experience for us all, and while she was more than ready to go, I think we all will miss her always. I’m grateful to Elisabeth for the ways she wove Baba’s story in with Djiedo’s because I think I, and my son, have lessons to learn from incorporating both types of energy into our lives.

We Are the Legends We Leave Behind

As I was reading this book, my son slept down the hall, and I kept thinking what a privilege it is that he’ll have a book about his great-grandfather to pore over when he’s ready. He’s even in one of the pictures. Though the audience for Energy might be limited to the people whose lives John J. McKetta has touched, that touch is profound and the audience engaged.

If you are a parent or a grandparent, please write your stories down. Not in ones and zeroes but on paper where a curious child or grandchild can find them later and begin to understand where they come from and how that has made them. This is not the first book I’ve read about Djiedo—two decades ago he gave our family individual copies of an autobiography entitled My First 80 Years—but Energy gave me a rounder portrait of my family in a time I most needed it and I will read it again.

Although I remember some of the legends differently, so goes family lore. I am grateful to have a canonical reference for my son that’s more trustworthy than my faulty memory. And I’ve annotated my copy with extra details where I appear so that he can come to know me better someday.

One of my favorite movies has always been Big Fish, especially the ending when all of the characters from the father’s mythic past converge to bid him farewell. It’s a gorgeous celebration of a full life well lived and also a reminder that the way we choose to remember our history makes us who we are now. I hope we have a long time before Djiedo’s final celebration (and not just because I need to book a plane ticket), but if his 95th birthday party (attended by 650 people) and his 100th (rich with family in an event kept intentionally small) are any indication, it will be sprawling people whose lives Djiedo has touched. I am lucky to be among them.

To read this portrait of a man I love very much, pick up a copy of Energy: The Life of John J. McKetta, Jr. from Powell’s Books. Your purchase keeps indie booksellers in business and I receive a commission.

Filed Under: Books, USA & Canada

Breaking Free from a Writing Rut with Daughters of the Air by Anca Szilágyi

November 25, 2017 by Isla McKetta, MFA Leave a Comment

daughters-of-the-air-anca-szilagyiA good book opens you—to worlds you would never know, to the experience of being human, to yourself. Daughters of the Air by Anca Szilágyi did just that. This story that touches Argentina’s Dirty War, the gritty days of Brooklyn, and what it’s like to be alone in the world before your time shows, through one family’s experience, how tragedy and political upheaval can upend lives and alter forever the future we once thought we had.

Writing About Argentina’s Dirty War

Daughters of the Air is not the same kind of blow-by-blow story of Argentina’s Dirty war that Liliana Heker’s The End of the Story is. Though Szilágyi gives us glimpses inside the politics and even the arrests, the story is for the most part one or two steps removed from that main action, and I was glad for the freedom to explore that this separation allowed Szilágyi. Instead of detailed accounts of rallies and resistance, we encounter the fear that surrounds a family and how that affects them for years to come. Rather than a peek inside the torture chambers, we see the moment of flight and what comes next for the exiles. Daughters of the Air is stronger for this separation which also allows Szilágyi’s story to migrate to Brooklyn.

A Teenaged Girl Alone in 1980’s Brooklyn

Basically abandoned at a boarding school in Connecticut after her father disappears from his Argentine university and her mother shuts down emotionally, Pluta takes flight one evening by jumping into a car with a strange young man and heading off to Brooklyn. If the previous sentence reminds you enough of your hot-headed experiences as a young person to bring up some terror-related bile, you’ll know how I entered this book. I will not tell you what happens next, but I will say that Szilágyi pulls no punches with Pluta’s experience as a teen on the streets of a pre-hipster Brooklyn.

What I respect greatly about this narrative, though, is that while Pluta is victimized, it’s never quite what I feared—Pluta is no Law & Order: SVU-style victim who gets smacked down by life and exists only as the object of rescue. Instead, she makes active choices that have actual consequences. As a mother and a former wild teen, this story line was heart-rending to read but I had to admire the strength of the character inhabiting the decisions she made. No matter what happened the page before, Pluta was always trying to make the best choice she could to make a life for herself in a world where all of those who should have been protecting her were gone.

I found myself wanting to shake Pluta’s mother from her stupor. A reaction whose violence I can only credit to the tension Szilágyi builds in this book. Equally so, I wanted to wrap Pluta in blankets and save her from herself and the world, but I don’t think this steely character would have allowed it. She has her own path to walk and she will not stop until she’s reached the end on her own terms.

Enter Magical Realism

And then something completely unexpected happens. I won’t detail it here (because I think knowing in advance would spoil something for you), but I will say that the element of magical realism surprised me and I wish I understood it as more than a metaphor. Part of this is my own expectation as a North American reader because I had a similar reaction when Dylan in Jonathan Lethem’s Fortress of Solitude began flying (literally) around Gowanus.

I think Szilágyi was experimenting here and trying to stretch me as a reader, which I appreciate, but I wasn’t fully on board. Perhaps I read too quickly to fully grasp the nuance of this element, but I was left wanting the implications of this element to be explored a bit more than it was.

Stasis in Perfection Lies

I wasn’t sure after finishing Daughters of the Air that I liked the feeling of reading the book, so for my very next read I pulled Emily Ruskovich’s Idaho off the shelf. From the first sentence this story of the world after a mother has killed her daughter is textbook perfect. The structure is well-architected, the prose cleanly constructed and Ruskovich doesn’t shy away from fully imagining and confronting a difficult topic. And yet Idaho completely failed to move me as a mother and as a writer.

Putting these two books side by side made me realize I want to read a book that pushes me so far beyond my own experience as a human and a writer that I’m already off the cliff and halfway to a crushing death before I realize what’s happening. Daughters of the Air took me there. Idaho did not.

Daughters of the Air is not a perfect book, but that’s where its beauty lies. Instead of telling a pat story, Szilágyi reaches into her treasure trove of fiction-telling tools and weaves a story different than any I’d ever read before. The narrative surprised me, the gravitas shocked me, and the fantastical elements challenged me—all of which made for a worthwhile read and will make me a better writer. Daughters of the Air showed me that I’ve become much too safe with my own writing and that I must push myself into new depths and new experiences to create work that is meaningful to me. I must shove off the idea of perfection and instead begin, again, to explore.

If you want to read a book that will surprise and challenge you, pick up a copy of Daughters of the Air from Powell’s Books. Your purchase keeps indie booksellers in business and I receive a commission.

Filed Under: Books, USA & Canada Tagged With: Anca Szilágyi, Daughters of the Air

Dreaming of The Brick House by Micheline Aharonian Marcom

October 28, 2017 by Isla McKetta, MFA Leave a Comment

the brick house -micheline aharonian marcomYears ago, when I was still waiting for someone to tell me what it meant to be a writer, I read a panel discussion in Poets & Writers with a group of agents who said you only get one dream per book because dreams are too easy a way to spell out what a character is feeling. The Brick House by Micheline Aharonian Marcom showed me what was really too easy was that quote. By dedicating an entire book to that most revealing condition, she’s shown how complex our dreams, and our lives, really are. My mentor in grad school, I’ve learned a lot from Micheline about how to find my own way as a writer and reading this book showed me not only how far I’ve come but how much farther, still, I can go.

The Brick House, Real and Imagined

There is a magical place I go to fill up, to find myself when I’ve strayed too far from who I want to be. It is the place I was conceived and the place I learned to accept and celebrate myself as a writer. This place sometimes calls me so hard I consider dropping everything and rushing there to teach (or just to be). Now Micheline has written a book set in this place, and when I touched the book, when I read it all late the night it came in the mail, I was nearly home again. Though The Brick House is strange and unsettling, this beautiful book helped return me to me.

The brick house I know is at the end of a lane on officer’s row. A strange building known for the visions and nightmares it imparts to women. A house I once missed exploring because I did not have the courage to enter the front door, let alone climb aside the staircase to pass the barrier that hides what is in the attic. The house was so renowned for its haunted nights, that my school eventually stopped housing women there altogether. But not before Micheline got to sleep there.

The Brick House Marcom imagines is an isolated place beside the sea where those in need come for one night to dream the portentous dreams they need to change their lives. Not a well-known or fancy retreat center, but rather the kind of place that strangers seek you out in your worst moments to whisper an invitation. We meet first the house and then a traveler who was invited here to dream.

As in Marcom’s other two more recent books, this traveler, the mysterious caretaker and the place itself are not named. This anonymity opens the book to a reader’s own willingness to add the final details that make the book our own. For me, the eponymous brick house could not be separated from the one in my memory, but I enjoy imagining the myriad brick houses other readers will bring to this book. I wonder now if the not-naming comes from Marcom’s multicultural background, if it was a realization that once an author adds a name like Peter or Issa to a character, a reader layers on assumptions. Instead, Marcom pulls back and allows us to enter and assign the cues that pull us deeper into the book than any prescribed identifiers could.

The traveler finds the brick house unnerving, from the jumble of room numbers to the art on the walls everything makes him feel “as if he might lose himself inside of this building, as if he will not return or resume after he crosses the threshold to the room because the man that he is (that he thinks he is) might come apart or will not hold inside its walls”.

Pushing My Writing, Still

Writing into the Heat

One of the things Micheline taught me that I always return to in times of fitfulness and bad writing is to write into the heat. That means both to write into what feels worthy at the moment but also to continue exploring your long-term obsessions. I’m good at remembering to write about what’s burning at the moment, but I’ve been neglecting my long-term obsessions. The Brick House reminded me that the magic of the words we put together on the page is that personal brew of ideas and triggers and explorations that are unique to each of us. The words are full of life if we write into our excitements (negative and positive) and the words build into an opus if we follow our obsessions.

Marcom’s obsessions include labyrinths and love affairs, houses invaded and the toxicity of capitalism. By reading how her obsessions have evolved and endured in this new work, I saw that the tiny chunks of projects I’ve been breaking off for myself are selling short the greater ideas I’m grappling with. Marcom helped me see that my explorations of what it means to see oneself as and be seen as a woman are related to my “mommy poetry” which is related to my struggle with algorithms as actors in shaping who we are, how we are seen, and how we see others. In the days since reading this book, I’ve already had one breakthrough in my writing (and, more importantly, my thinking) that could not have happened without bringing all of myself to the page at once.

Bending Genre

Speaking of bringing all of yourself to the page, The Brick House is the first work in which I’ve ever seen Marcom explore genre and it’s wonderful to behold. One of the things I liked most about our grad program was the agnostic approach to genre, but there were not many advisors who wrote in genres themselves. Perhaps it’s because of the freeing aspect of writing about dreams, but The Brick House contains some exquisite examples of horror, sci-fi, folklore, and erotica.

Rethinking the Cadence of Language

One of the tricks I’ve cribbed from Marcom along the way is the pushing together of words that we generally see separated. It’s something she explores still in The Brick House, pairing it with a repetition that turns the words into music with lines like:

“Paying notpaying paying the bills and collectors and more bills”

The touch here is subtle enough not to distract from our understanding of the sentence, but the effect of removing the commas, smashing the words together, and repeating “paying” with only slight alteration throws us deep into the gnawing rhythm of everyday life that this character is either trying to escape from or drown himself in.

My Dreams

“The strangest dream was the one you dreamed before you arrived: of lonely, unnatural men.”

I dreamed last night that a friend won a major literary award. While I got to spend time with her before the event, I spent the duration of her reading worrying that I should not have brought my toddler. This quotidian dream is not worthy of the brick house. But it is relatively revealing about my current fears as I prepare for the privilege of flying down to San Francisco for the release of The Brick House, leaving my family at home for a night to embrace the writer life. Despite the incredible generosity and support of my husband, this time to be just me feels like an emotional extravagance. Although I’m thinking more and more a necessary one, because life is short and it’s very easy to get caught up in “paying notpaying paying the bills” and forget the person I could be.

With two books under my belt since I first visited the isolated peninsula where I began and began again, I do know now what it means to be a writer, but sometimes it helps to have a reminder. The Brick House was that reminder for me, in more than one way, and now that I know who built that house, I’ll return to it again and again.

To dream your own most important dreams, pick up a copy of The Brick House from Powell’s Books. Your purchase keeps indie booksellers in business and I receive a commission.

Filed Under: Books, USA & Canada Tagged With: micheline aharonian marcom, the brick house

Reading Dystopias: Both Fictional and Not

June 11, 2017 by Isla McKetta, MFA Leave a Comment

I just updated my Goodreads for the first time since early May and realized that in a time of what feels like not-reading, I’ve been reading a lot. Not the volumes of fictions or poetry I’d usually be immersed in, though some of those. I’ve been immersed in all things political. Some of that, like When the Emperor Was Divine, was fiction, and some of it, like James Comey’s statement to the Senate, I can only wish was fiction. Still, it’s been an interesting mix of media and I thought maybe it was time, after three months of not writing a book review, I reflect on what I’ve been reading.

When the Emperor Was Divine by Julie Otsuka

when the emperor was divine - julie otsukaOf all the things that have happened in the months since Trump was inaugurated, none has hit me as hard as the Muslim ban. A lot of things have upset me, but that one struck at my core values. For days after it was announced that America was no longer going to be the land of opportunity for all but instead was going to start openly turning away legitimate immigrants en masse, I was glued to the news and Twitter just waiting to see if we’d come to our senses. I was so tuned into events that I tuned out of my family and simply waited.

I know the whole land of opportunity thing is a story we tell ourselves just like we tell ourselves that those opportunities are open to everyone. Until that day, though, the story was intoxicating enough that I believed it. I believed we all valued it and were working toward it, even as we struggle with our own racism and anti-immigrant swells.

I don’t know whether When the Emperor Was Divine was sitting in my to-read pile or if I purchased it then or found it at the Little Free Library. I do know that I needed this book this year. Julie Otsuka’s story of a Japanese family living in California then interned during World War II made me look straight into what our country does, not what we say. It made me look at the people we do it to.

The book opens with a Japanese woman, a mother, we later learn, seeing the evacuation order near her home in Berkeley. She returns home and begins packing and preparing her home. Her acceptance seemed strange to me until I understood that her husband had already been arrested. She takes down their artwork, hides their valuables, feeds the stray dog her children cared for a feast and then kills it. When she killed that dog I understood a lot more about her character. This was not a woman who had given up. This was a woman who had no choice and she was going to do the best she could to help her family survive. She knew that dog could not survive alone on the streets and so she gave him the best ending she could. There are glimpses of neighbors helping her in small ways as there are glimpses of the racism her family encounters. But no one can change anything.

Spanning the entirety of the family’s internment and until they and then their patriarch return home, this book is filled with quiet details that speak loud. Otsuka lets us peek inside the experiences of each family member and we see not just the freezing cold, flu and diarrhea of the camps but also a boy’s ritual probing of his imprisoned father’s shoes, the missing of plums, and the worry of whether the porch light was left on or off. We see the family’s strength, their endurance. When the family returns to their wrecked home and works to clean and rebuild it room by room, we think it might be okay, this awful thing that our country did, because they were strong enough to withstand it. But of course it isn’t okay, not that it happened, not that it could happen again. We see this in the father, once a gentle man now broken. All because he had the wrong blood.

As a mother, I admired how well the mother took care of her family even as I ached at how she had to. As a patriot I was disgusted that we ever let this happen. That it could happen again. Sometimes, maybe even most times, we are better at conquering our fear and uncertainty and at becoming the welcoming country I grew up believing in. For example, I’m very proud to be living in one of the first states to push against Trump’s travel bans. But Otsuka reminded me that this impulse to give in to fear is something we have to fight every day or it will bubble right up in the most horrible ways.

Poetry, June 2017

Poetry June 2017Speaking of people we don’t treat all that well, I’m glad we’re finally having more concerted discussions about race. We need to do more. I’ve spent a lot of time lately thinking about my own racism, but I have much to learn to become the person I want to be— to appreciate the beautiful array of people and experiences in the world. I was delighted, then, when the June 2017 issue of Poetry arrived in my mailbox and it was a tribute to Gwendolyn Brooks. More importantly, it was filled with voices and experiences I don’t always encounter on my own.

I’ve read Patricia Smith and even seen her speak, but images like “our someday plans / grayed and siphoned flat” and “drown your baby in the mama-eye” reminded me that I haven’t read nearly enough Patricia Smith. CM Burroughs looks into the hypocrisy and humanity of us all by imagining the strong Brooks as lover with “how many times did / you posture yourself for the broad body of him or him and open // like home” and then shows me by her use of forward slashes that I know nothing about experimenting with language. Reading Roger Reeves I discover that the King Shabazz character in my son’s favorite book is actually named after Martin Luther King, Jr. and Malcolm X. Jacqueline Jones Lamon’s line “I take a sip of water and tell them / every true thing that I know — that they are // the power who will save what needs saving” is everything.

Though I always enjoy reading Poetry, this is an especially fine issue and it’s expanded my reading list in all the right ways.

Walks with Walser by Carl Seelig

walks with walser - carl seeligOne of the most reassuring and also unnerving things about Walks with Walser, the book I’m currently reading, is seeing that art can both endure terrible times but that it can also remove itself completely from life. Chronicling conversations during the 27 years Robert Walser spent in an asylum after a breakdown, this book spans World War II and yet, because it occurs in Switzerland, barely even acknowledges what’s happening next door. There are some really gorgeous reflections on the life of an artist in this book, but it’s also an important reminder to me that I am not content to check out on the real world. Though I could benefit from a few more long walks.

Harper’s

harpers april 2017A former student of political science, I’ve long subscribed to Harper’s to keep my political muscle active. It’s been an important lifeline since the election. I’m not one of those liberals who was completely surprised Trump won, I think the Democratic Party ignored the growing dissatisfaction of lower-income and blue collar Americans. But I am appalled that Trump was elected.

“Commitment to anything larger than your own life… [is] messy and chaotic and imperfect—which isn’t the flaw of it but the glory of it.” – Leslie Jamison

Though I chose not to attend the Women’s March, a thoughtful and moving essay by Leslie Jamison allowed me to experience the day and also her gorgeous reflection on the lifelong activism of her mother and to understand my own role in making a difference. In the same issue, I learned about an underground movement of ordinary women that had helped women get abortions. and read an excerpt of an essay by Mary Gaitskill that helped me understand how I can raise a son who sees “that rape is a violation of his own masculine dignity as well as a violation of the raped woman.” And I saw a revealing photo essay on what life is like in the projects now, not in some memory of the bad 80’s.

“At it’s best, [feminism] has also been about women recognizing the shifting contours of their own ignorance, and trying to listen harder.” – Leslie Jamison

That was all one issue. I’ve also been catching up on back issues with articles warning of things to come that, by the time the issue’s gone to print, or at least by the time I’ve read it, have already happened. The prescience is reassuring. It makes me believe that although I may feel like the bottom is dropping out, I am not living in unpredictable chaos and if we all think just a little harder and more clearly, we can make the nation as great (in the cooperative, generous, open, humanistic way) as I believe it can be.

Comey’s Statement

One step toward becoming that nation is understanding what’s happening now. I listened to the entirety of Comey’s Senate testimony on Thursday. This time I at least sat with my family while dwelling on current events. Though I hesitate to trust the straightforward earnestness Comey seems to present in that testimony and in his written statement, he made an excellent point about credibility being tied to consistency and Comey is consistent while Trump…

I don’t know what my role is right now in this messy time, but I can bear witness. So can you. If half of what Comey says is true, and I believe much more than that is, Comey is telling us that we have a president who is willing to lie and squeeze his employees and the values our government is founded on to get his way. That should not be a surprise. But it’s time we did something about it.

The Assault by Reinaldo Arenas

the assault - reinaldo arenasI thought I was escaping back into fiction when I pulled The Assault off my bookshelf. I remembered Arenas’ languid, gorgeous language and I really needed a little kick to get back to writing. But of course this Cuban-born novelist who was persecuted by his government is famous for writing about that experience.

This book truly is gorgeous. It’s also a terrifying reminder of what happens when democracy fails.  The story of a government agent’s search for his mother so he can kill her before he becomes her, this book shows a country where humanity is reduced to means of production. For example, in one chapter we see the line of people who irrigate the fields with their spit. If they fail to spit, they get juiced and that juice is then used for irrigation. Wild and dark, nothing about the not-night portrayed in this book is wholly implausible. That’s the worst part.

West of Here by Jonathan Evison

west of here - jonathan evisonWest of Here is not a dystopian book. That might be why I sandwiched it somewhere in the middle of all this heavy reading. In fact, it contains elements of the utopias white people wrote about in the 19th and early 20th centuries as explorers went off to conquer new lands and found paradisaical locales with unlimited natural resources. It also contains stories of the people who were already here and a view into what life is like in those same paradises 100 years later. I love reading Jonathan Evison’s descriptions of places I love. I love his understanding of the simplicity and complexity of human motivations. And I love that a strange mystical vein runs through the story. Dams go up, dams come down. People settle, people perish, people endure.

This is not a dystopian book, but it is a good reminder that while our goals may seem simple, reality is not.

Not everything here counts toward my Goodreads reading goal, and I still don’t have the answers to making this country the place I dream it might be. But the somewhat odd selection does reflect the writer and the human that I am, and I’m choosing to embrace that. For better or worse, I’m going to take a little hope from Evison, a little inspiration from Comey, doses of reality from Jamison, strength from Otsuka, seeing from Poetry, and a prod of fear from Arenas and try to live my own values. I hope I can be at least a little part of the power who will save what needs saving.

And now that I’ve put that vow in print, I can finally clear this stack off my desk.

Stack of Books

Filed Under: Books, USA & Canada

Reading and Watching The Magicians by Lev Grossman

January 22, 2017 by Isla McKetta, MFA Leave a Comment

the magicians-lev grossmanWas it magic or serendipity that a copy of The Magicians by Lev Grossman showed up in my local Little Free Library the very same week that the related Syfy series showed up on Netflix? I’m not certain, but I can say that reading the book while binge watching the series has me a little convinced that there is magic in the world around me, even if my Popper finger movements haven’t yet led to the dishwasher loading itself. It’s rare that I like an adaptation as much as the book, but experiencing the two together has added a whole new layer of enjoyment to the story and characters for me.

The World We Know

The story of The Magicians revolves around a school (Brakebills) that trains magicians and a series of children’s books about a magical place in the back of a cupboard called Fillory. While it would be easy to dismiss The Magicians immediately as derivative of Harry Potter and The Lion, the Witch, and the Wardrobe, given time Lev Grossman builds his own rich story around these elements. And though even more derivative elements crop up in the one season of the series that I’ve watched, I was always interested enough in Grossman’s characters to shrug it off.

Sequences Out of Time

The TV series and the book (books, really, The Magicians is the first book of a trilogy) are a wonderful case study of how to adapt literature to screen. Apparently this adaptation was done with the help of the author, something I credit with the success of the show, but I’ve seen authorial involvement go as badly as The Magicians goes well. There are notable differences: in the books, Brakebills is a college, on TV it’s a grad school; some of the characters have different names; some of the characters from the books don’t exist in the series; one of the characters from the series barely exists in the book; the timeline in the book is much elongated; etc.

What’s gorgeous about experiencing these two together, though, is the times that they do intersect. I think that’s because are fully realized in their own rights. Yes, there were moments of the series that made a lot more sense when I realized that the characters were originally fresh out of high school, but overall I liked that the series has a little more tooth because of the adult characters and that the books are more innocent. What I liked even more, though, was that I felt like I was having my own Fillory experience where life (TV) would go on every night as we watched episode after episode and a few days later I’d encounter spots in the books (Fillory) where the action overlapped with the series.

Fluid Sexuality

One thing that’s remarkable about the generation after mine is how much more fluid their idea of gender is—both in their norms and in who they love—and I appreciate how this was reflected in The Magicians. It’s more obvious in the series, but the source material certainly exists in the book. It’s something I enjoyed about Sense8 as well, until the writers threw away a perfectly good story in favor of scene after scene of pan-sexual orgies. I’m not opposed to depictions of the latter, but please don’t take away my story. The Magicians does a much better job of incorporating the human sexuality of a gender-fluid generation into the context of the story.

Book or Series?

Let’s be honest, time is short now that I’m a mom and I’m choosier than ever about what I read. But I still watch a couple hours of TV a night because I can sit next to my husband and share an experience without applying too much mental effort.

Whereas I ran through the show as fast as possible given the above schedule, if I hadn’t had a couple of holidays and a sick day, I might not have finished the book at all. I really appreciated the compressed timeline of the series when compared to the somewhat lagging action of the book (especially after Quentin leaves Brakebills). I appreciate that it’s difficult to portray creative malaise and a post-grad slump in print, but it’s much harder to read a slow portrayal of said malaise.

I’m excited to see the next season of the show, too, because there were aspects of Fillory that I think will translate better to screen. In the books there are all these mishmashed chimeras that were underdeveloped and felt pretty throwaway. Plus, one of my favorite characters (no hints!) disappeared for far too long in the book.

As I said, I’m glad that Lev Grossman was involved in the adaptation. I think he might be a better screenwriter than a novelist and I don’t think I’ll read the next in the series.

To make up your own mind about The Magicians, pick up a copy from Powell’s Books. Your purchase keeps indie booksellers in business and I receive a commission.

Filed Under: Books, Film, USA & Canada

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Polska, 1994

Polska 1994

Clear Out the Static in Your Attic

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What I’m Reading

Isla's bookshelf: currently-reading

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The Ecstasy of Influence: Nonfictions, Etc.
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