• HOME
  • REVIEWS
    • Books
      • Africa
      • Arabia
      • Asia
      • Eastern Europe
      • Latin America
      • South Pacific
      • USA & Canada
      • Western Europe
    • Other Media
      • Art
      • Film
  • ABOUT
    • Bio
    • Isla’s Writing
      • Clear Out the Static in Your Attic: A Writer’s Guide for Transforming Artifacts into Art
      • Polska, 1994
    • Artist Statement
    • Artist Resume
    • Contact
    • Events
  • BLOGROLL

A Geography of Reading

"It is by reading novels, stories, and myths that we come to understand the world in which we live." -Orhan Pamuk

So You Want to Talk About Race (I Do)

June 6, 2020 by Isla McKetta, MFA Leave a Comment

What a week it’s been. Seven days ago at this time, my husband was with our dog, Rocky, at the vet for what would be his second to last visit and I was trying to decide how to tell our four-year-old son that the dog wasn’t coming home. The dog did come home, and we spent a tense 48 hours watching for the inevitable before we could get the second, final visit. And somehow, on Monday I did find the words to tell my son that Rocky was not coming home. He covered his ears and did not want to talk about it. As heartbreaking as this conversation was (as well as subsequent ones where I tried to make sure he knew he could talk to me when he was ready), it’s nothing compared to trying to explain racism to a small child, even as I’m still learning about it myself.

so you want to talk about race - coverBut the time for change is now. That’s why I finally took Ijeoma Oluo’s So You Want to Talk About Race off the shelf in my bedroom where it had been waiting too long to be read.

When my son was born, a friend insisted I read Between the World and Me by Ta-Nehisi Coates. An excellent book, and a hard read in that early parenting time when my empathy for all humans was almost shattering, I learned a lot from Coates. But my reading of that book did not fix our society and really, it did not fix me either. And I won’t say that I’m fixed now that I’ve read (most of, I’ll finish the rest this afternoon) Oluo’s book, either, but So You Want to Talk About Race engaged me in a conversation I needed to have with myself and Oluo gave me both the language and the understanding necessary to try harder.

A Lexicon of Racism

Too much of my experience of the world these days comes from Twitter-sized synopses in which I either smile or rankle before moving on and forgetting. And while I’ve had a superficial understanding of the concepts of white privilege, intersectionality, and microagressions, I haven’t really put the work in to know what I could do about any of it besides feel guilty and try to not say ignorant things. Oluo helped me take that next step by unpacking what the words mean and what they look like in everyday life. She opens up ideas of how white people can start to confront and dismantle them in their own lives and in the lives of the people around them. She also speaks directly to people of color.

Two of the most impactful things Oluo helped me understand are the power dynamics of racism and the ways I’ve been failing to properly empathize with the experiences of people of color. They are not unrelated, but while I cannot dismantle the white supremacy inherent in our institutions (today anyway), I can breathe in her “basic rules” of determining if something is about race until they are a part of my body:

  1. It is about race if a person of color thinks it is about race.
  2. It is about race if it disproportionately or differently affects people of color.
  3. It is about race if it fits a broader pattern of events that disproportionately or differently affect people of color.

Do any of those rankle? As a student of sociology, I had no trouble accepting the last two, but I really struggled with the first. Which meant I had to ask why. Where I’m at now (a few days into this process) is that I’ve been so gaslit about my own experiences (as a woman) that victim blaming is part of my body. My mechanism for feeling better about myself is trying to control every aspect of every situation so that I can never get hurt so if someone else gets hurt then clearly they failed to control something. Except that argument is as full of bullshit for people who are subjected to the abuses of a racist system as it is for women who are raped, assaulted, or harassed.

And the passing of a counterfeit $20 bill is never, ever a crime that should be paid for with a life.

The Beauty of Vulnerability

“Acknowledging us, believing us, means challenging everything you believe about race in this country. And I know that this is a very big ask, I know that this is a painful and scary process. I know that it’s hard to believe that the people you look to for safety and security are the same people who are causing us so much harm. But I’m not lying and I’m not delusional. I am scared and I am hurting and we are dying. And I really, really need you to believe me.” – Ijeoma Oluo So You Want to Talk About Race

I haven’t read White Fragility (yet), but I do know that when confronted with my own racism I more want to hide in a corner than confront my bad actions and I’m certain I’m not alone. In So You Want to Talk About Race, Oluo does the reader the kindness of opening up her own vulnerability. She both unpacks moments when she was not representing the values she espouses and experiences when she has been victimized by institutions and individuals. I’m deeply grateful for this approach, because by being so open and vulnerable with her readers, she made it much easier to be open and vulnerable back. Although she often says (correctly) that it is not the victim of racism’s job to educate the perpetrator, this choice is helping me examine both the problems with the system and also the ways in which I have perpetuated those problems.

The Structures of Power

As I mentioned, institutionalized racism was one of the hardest parts of this book to get my head around, I think because I was raised to believe in this American ideal of founding fathers who were looking out for all of us and who set up this great nation around some very laudable ideals. And now I have to interrogate all of that. We all do.

The police in my brain are here to “protect and to serve” and that’s a comfortable place to return to when I want to ignore one more abuse or death at their hands. But I remember the way the teenagers in my home town were hounded by the police—and we were white. When you entrust someone with a job, you have to be very careful how you frame that job. Even if you think about little things like quotas for traffic tickets. That’s not the police looking to stop people who are breaking laws, that’s a worker trying to check off a list of tasks and they’ll enforce traffic laws at whatever level they can until that list is complete. Now add a government and a legal system that was designed to protect the property of white men. I don’t know enough about what makes the police act as a military force against people of color (though I’m thinking about it); I do think they are acting to protect a status quo that should not be protected.

I don’t need to watch the video of George Floyd’s death to know that kneeling on the neck of a human being (ever, not to mention until they die) is not ever okay. But when John T. Williams was shot down in cold blood by a Seattle police officer, I used personal knowledge of his behavior to make excuses for the officer. When the pregnant Charleena Lyles was shot and killed three miles from where I lived with my almost two-year-old, I was sickened yet did nothing. In truth, those cases formed a pattern where the police failed to place the value of a human life above the value of their own inconvenience.

It’s beyond time that we confront what is wrong with policing in this city and this country, that we dismantle the current system, and that we instead build something that serves everyone. Something that treats human lives (of all colors) with value. I believe strongly that this starts early in life when we must give all children the same opportunities. I also believe that we have to stop treating 12-year-olds like Tamir Rice like it’s too late for them because their bodies are big. That no one should die for selling cigarettes, as Eric Garner did, or for being in a house where drugs were suspected of being sold, as was the case with Breonna Taylor. Black lives are human lives and black lives matter.

What I’m Telling My Son

The day my (then two-year-old) son asked for a Playmobil tactical van, my heart sank. But he thought it was a police car and he wanted it and I wanted him to have what he wanted. Now he asks me to turn off NPR when they use the word “dead.” Mostly I do, because there are a lot of details he does not need to know. But this week is different. As will be all the weeks going forward.

This week we talked about why people become police officers, that some people want to help others and that’s good, but that some people want power over others, and that’s bad. We talked about skin color and things that make people look different but that’s only how they look on the outside. We talked about how he needs to stand up for his friends because sometimes they won’t be able to stand up for themselves. Later, I’ll probably have him sit through the Sesame Street town hall on racism. Because while we try to surround him with diverse books and friends of all colors with a wide variety of life experiences, it’s not enough.

So I’m going to keep reading, Oluo’s book and others, and turning that knowledge into action. There are a myriad of good anti-racism reading lists out there and I also recommend this podcast and essay. As always, I’m open to your suggestions. Let’s take our hands off our ears and change the world with the power we have. We’re stronger than we know.

Filed Under: Books, USA & Canada

My Pandemic Reading List: Stage Two — Stasis

May 9, 2020 by Isla McKetta, MFA Leave a Comment

When I last wrote about what I was reading for the pandemic, it was all about preparation — what was essential to know as battened down the hatches. Now it’s been almost two months since my last dine-in meal and we’re as suspended in time as most. Finding a copy of The Sound of Waves by Yukio Mishima (which I have not yet read) at our Little Free Library made me realize that my reading had, necessarily, shifted of late, too. So today I’ll share with you the books that bring me comfort and a thought or two about why reading can feel so hard right now.

Garden by the Sea by Mercè Rodoreda

garden by the sea - rodoredaI confess that my reading of Garden by the Sea by Mercè Rodoreda was broken. I picked it up night after night and would read a few pages before falling asleep with it open and the lamp on. But it wasn’t the book’s fault and in some ways this was the perfect book to read in this way. (In my reading anyway) not a lot happens in the first half of the book.

The narrator is the gardener of a marvelous villa by the sea in 1920s Spain. He shares stories of what’s going on in the big house during the summers, but the story I connected with right now was his life of sitting in a cottage watching that life happen. His residence and employment continued as the property changed hands, as the seasons changed, and as lives were made and ruined nearby. This observer narrator feels less involved in the main drama than Nick Carraway was in The Great Gatsby and I very much connected with the feeling of daily maintenance that was reinforced by Rodoreda’s choice to describe the plants and the care thereof. As though this world will continue on, with minor changes, no matter what happens through the window. It doesn’t hurt that Rodoreda’s writing is gorgeous enough that I felt wrapped in a dream (even when I was still awake).

It helps that we’re investing a lot in our garden right now. Or maybe investing in our garden helps a lot right now. I’ve ripped all the grass out of our front yard and populated it with the few plants that I could order and my first careful reconfiguring of plants we already had. We also planted our veggies early and added a new bed for more. Not only is this all a place to put my angst, it’s also something for the future that I actually have control over.

Now by Antoinette Portis

now - antoinette portisNow is one of the books my son pulls from his shelves when he knows I’m upset and could use a calm down. Beautifully illustrated, this book walks through moments of a young girl’s life. I bought it so he could learn (gently) about mindfulness. Clearly I need it as much for myself. Still, this book is an excellent reminder (for readers of all ages) about appreciating the moments we’re in. At the end of the book, the narrator says “and this is my favorite now, because it’s the one I’m sharing with you” and shows the girl being read to by her mother (at which point my son always gets an extra big hug).

This week I started writing moments in our wall calendar. I needed some reminder that there was purpose to each day and that time is, indeed, passing. Some days are little (we planted seeds yesterday) and some are big (we finished building those new garden beds on Sunday), but these few daily words feel meaningful enough that I plan to go back through my Twitter and phone reel and fill in all the days since March 13.

Also, I’m trying to appreciate things more as they happen and to make magic in simple ways. It’s been a trying week for the whole family, emotionally, but slowing down and looking has helped. One day I lay face down on our grass and watched ants take food back to their hills (did you know they eat dandelion seeds?). Later that night I watched the dust settle in the beam of my son’s lamp as he picked out books. All of these gentle moments helped me reset a little and find the pleasures of now. Best of all, last night I finally traipsed out to get lilacs for my bedside (they’re great for wilding up your dreams). It was late, I was barefoot, and our back porch light was off. My husband came with me and there was definitely magic in realizing how much we could see in the dark and in spotting the big dipper overhead on a balmy night.

Why Reading Feels Impossible

I wish I could recommend to you old favorites like An Atlas of Impossible Longing about feeling angsty or out of place, but even pulling those books from my shelf feels exhausting right now. This came up on a family Zoom call recently—one of those discussions with people you love who are backgrounded by walls full of books you know they’ve actually read—except the conversation was about why we aren’t reading, or why reading feels so hard. For me it’s about empathy.

While reading can be a wonderful escape into another world, reading well and fully also requires us to empathize with the characters, and I don’t know about you, but I don’t have empathy to spare right now. I’m spending all the love and care I can muster on those in my household (trying to reserve some for myself). I’m reaching out to friends I might not otherwise be on schedule to connect with. I’m weeping for strangers in newspapers or on Twitter. And at work I’m trying to think about what our audience needs so I can help them. None of this leaves much room for the fictional characters with whom I usually keep company. So much for the stacks of books that I keep ordering. I guess there will be time for those later.

Are you reading now? If so, what brings you comfort? I could use a few good recommendations before I move on to the “returning to outside life” stage of this pandemic.

Normally at this point I ask you to buy books from indies (yes, please, when you can), but right now the investment I’m making in the literary future involves donating (my money and time) to Seattle City of Literature to help keep our culture vibrant. Please join me in donating, if you can.

Filed Under: Books, Western Europe Tagged With: antoinette portis, Mercè Rodoreda, now

Disappearing into a Good Book with Idra Novey

April 18, 2020 by Isla McKetta, MFA 2 Comments

Even though nothing much seems to change these days, radical shifts are happening in the undercurrent of my moods and most of the books on my original pandemic reading list are things I don’t even want to face right now. Yes, I still wonder about small details in The Great Influenza, but I know I’ll never re-read that book and have given it to our local Little Free Library (from whence it was quickly snatched up). Instead, the book I find myself recommending most right now (and most want to re-read) is Ways to Disappear by Idra Novey. Let me tell you all the reasons why…

Reading is Escape

ways to disappear-idra noveyI think we all intellectually understand that reading takes us out of the moment we’re in and immerses us in something else. For a while I needed to be immersed in the worst that could happen to remember that anything else is better. Right now I want to explore the world that exists beyond the one mile route I walk every morning with my family.

Ways to Disappear is set in a steamy Brazil where American translator Emma Neufeld goes in search of Beatriz Yagoda, a Brazilian author who had climbed a tree and then disappeared. Emma is (of course) also searching for herself as she tromps around Brazil and it’s easy to get wonderfully lost in the antics that ensue and in the locations. Even as I type this, I’m remembering how the book recalled for me a time when I ate a fresh papaya on Ipanema Beach (a sensation no papaya since has ever matched – à la Proust).

Before the virus, we’d been planning on maybe finally taking my son to Europe this year. He’s only four, but I haven’t traveled internationally with my husband for eight years and we were ready. We won’t make it this year, and my son would not be interested in this book, but the ways that reading this book felt like being abroad are making me misty right now.

It’s Really Funny

If you’re not yet at a place where you need/want a laugh, buy this book anyway for the day that you do. Emma is delightfully, poignantly messy and lovable. The well-constructed plot (including a very colorful loan shark) is worthy of a 1940s romantic comedy. And it’s wonderfully sexy. One taste of the humor is the moment in the book when a second-rate Brazilian author also climbs into a tree to see if their book sales will also skyrocket. I smiled throughout this book. That alone was worth the cover price.

Novey Writes Beautifully

There are a number of things I could have titled this section: Novey and I clearly love some of the same authors (Clarice Lispector to start), Novey does a wonderful job of inhabiting the worldview of a translator in her characterization, this book feels effortless and also smart. They’re all true. It’s rare for a book to hit both the “escapist” and the “damned well put together” buttons at the same time and Novey definitely accomplished both with this book. I look forward to reading it again and also to ordering more of her books from my local independent bookstore.

This is the place where I usually suggest that you order the book from Bookshop.org so I get a small commission and you support a great bookstore. But now is an especially important time to give extra support to the bookstores in your local community. Many of them will have shipping specials or other creative ways to get you the books you need. If you’re in Washington, here’s a list of bookstores that are still open in some way.

Life at Home

If you’re wondering what life is like where I’m at, I published a poem this past week. The moment it describes is about two weeks old and many things have subtly shifted, but it captures the then as well as I could.

Happy reading!

Filed Under: Books, Latin America Tagged With: idra novey, ways to disappear

My COVID Reading List (And What I’ve Learned)

March 7, 2020 by Isla McKetta, MFA Leave a Comment

Station Eleven

When I asked my husband for Emily St. John Mandel’s Station Eleven for Christmas, I don’t think I’d heard of the coronavirus yet. I like dark novels and have often found that reading about the worst of things makes me feel better about my everyday. Station Eleven did not disappoint, especially because the way the structure flips quickly enough back and forth between the panic of a rapidly-spreading pandemic and the life that continues (in its own way) in the way after meant I didn’t have to bear the “what if we all die” feeling that some books carry. So it was dangerous, but not too much so. It’s a very satisfying read overall with strong characters and a fresh take on life after the apocalypse. I loved the way the threads of the story eventually came together.

If you’re at all afraid, I would not suggest you read this book right now, but do put it on your list for later.

What Station Eleven Taught Me About Now

  • Be prepared. I do not feel the need to pack seven carts full of groceries into my home the way that Jeevan did, but we have set aside enough food and essentials that we’ll be okay if we have to self-quarantine for a couple of weeks. I’ve since read that having a little (not a crazy amount) of back-stock on hand can also help ease supply chain problems for others later.
  • Books matter. Not that I needed to be taught this, but the way that Kirsten clings to her copy of Dr. Eleven is an important reminder that we cling to things that make us feel civilized. And for good reason. I’ve read more prepper guides in the last month than I’ll admit, but the things that always come back to me are how humanizing small luxuries like a beloved chocolate bar or a great shower can be when we feel at our worst.

The Great Influenza: The Story of the Deadliest Pandemic in History

By the time I finished Station Eleven, the news of a coronavirus in China felt distant enough that I picked up the copy of The Great Influenza: The Story of the Deadliest Pandemic in History that my neighbor had given me as we were exchanging Thanksgiving dishes. I don’t normally read nonfiction, certainly not of the historical reportage type, but I figured if I was ever going to read that book, it would/should be after finishing Station Eleven. I’m glad I did, because I learned a lot about how viruses work and about what can go wrong in a society during a pandemic. There was far too much minutia about individual doctors for my taste, but I appreciate the work they did.

I do not believe that we are in for anything nearly as bad as the Spanish Flu, but I do think there are lessons from that time that can help us minimize the spread and mortality of COVID-19.

What The Great Influenza Taught Me About Now

  • Infections come in waves. There were actually two infection periods for the Spanish Flu, and those who were exposed to the first were mostly immune to (or at least suffered far less from) the second.
  • Viruses mutate over time. As they emerge in the human population, they are not necessarily at their most dangerous (the first spring wave of the Spanish Flu was not as lethal as the later wave), but they do mutate and over time “virulence stabilizes and even recedes”. You can read more about how this might be working with COVID-19 here.
  • Quarantine and self isolation helps. Not only are you limiting your potential avenues for transmission by self-isolating (before or after being infected), you are giving the disease time to mutate into something less lethal.
  • We are lucky to have already identified COVID-19. The Spanish Flu was not conclusively even identified as an influenza until much after the epidemic. Today researchers are working directly with an identified pathogen and trying to develop tests and a vaccine, rather than spending years trying to figure out what the disease even is.
  • Accurate information saves lives. During the Spanish Flu, the media in San Francisco likely saved lives by sharing accurate, unvarnished information with local citizens. This is a big worry for me at a country level because the president is more interested in his ego than in getting people the information they need to prepare. I’m looking directly to resources I trust, like King County Public Health and this map from Johns Hopkins, for my updates.
  • Large public gatherings are a bad idea during times of contagion. There were far too many stories in this book of public officials who were warned to cancel large events and did not. If you’re interested in specifics on how that affected mortality, this is interesting. We aren’t currently avoiding the grocery story (despite the general zombie vibe there) or daycare (the source of all contagion, really), but my workplace is closed and I’ll be skipping this spring’s slew of arts fundraising events.

The Ungrateful Refugee

This book by Dina Nayeri was an essential read for our time before the novel coronavirus. I’m still immersed in its pages, but the way she combines the memoir of her own experience as a refugee with the research she did as a new mother into the refugee waves of now is deeply artful and deeply humanizing. Her writing is as beautiful as her introspection.

What The Ungrateful Refugee Taught Me About Now

  • It is always easy to turn inwards and see only your own experience. It is especially important in times of crisis that we do not, to the extent that we are able.
  • The more we connect with others, the better we will see ourselves. When Nayeri sees a girl in a refugee camp who will not remove her pink backpack, she sees her own trauma and the need to cling to the one thing that feels like stability. And in reading about it I see ways I am paralyzing myself when I most need to find grace.
  • Every human deserves and wants dignity. The more we treat each other with dignity, the more we will all respond with it in kind. The way my husband described how people are treating our grocery store clerks is abhorrent. We’re all humans on this planet. If you can afford to give someone a smile or a kind word, please do.

The Plague

I actually haven’t started re-reading The Plague, so I’m not certain it’s the best thing to turn to at this exact moment, but I do recall that I read it during a particularly dark time of my life and I was very much reassured by the way Camus highlighted what Mr. Rogers would call “the helpers,” the people who went out of their way to make sure that society survived.

What The Plague Taught Me About Now

  • There is good in and around us. Look for it.
  • Do what you can to help others.

Anything that Gives You Pleasure

The one thing I very much have stockpiled in anticipation of being at home for the duration is books. I started with an indulgently large order from Powell’s and then let myself go hog wild at the AWP virtual book fair where hundreds of small presses are selling their wares, often at a wonderful discount. Read or watch anything that reminds you that COVID is only part of life.

Other Things I’m Thinking About

  • Kids are generally less vulnerable. According to this piece on NPR, kids go through so very many COVIDs early in life that they are not at risk now. This has to be a relief for any parent.
  • The digital age has added some layers of protection and stripped away others. It’s nice that many people can work from home. I wish that everyone could (or could get paid in absentia). I did wake up in a cold panic the other morning with the realization that if my husband and I both died (highly unlikely, but tell my anxiety that), my son would have no way of contacting the people who can take care of him because he doesn’t have a relationship with our phones.
  • Panic is paralyzing; avoid it at all costs. There are hashtags on Twitter that I won’t click anymore because the fear has already taken people way beyond a functional place. If you’re scared about something concrete, like not having a list of emergency numbers on paper somewhere handy, fix it and try to move on. Turning off the voices of panic from outside the house is not the worst idea, either (she tells herself).
  • Supplies are available in places other than grocery stores. We’ve been ordering nonperishables (again, only a week or two ahead) from Target. It saves us from going out and also lets people who need to get things more immediately have some hope of finding them on a nearby shelf. Free shipping over $35, but you want a week’s lead time.
  • Related, small businesses will be hurt hardest if people are no longer out and about. Make the choices you need to for your family, but if you’re going out, eating out, or stocking up, spend that money at the stores you love when you can. E.g., Third Place Books is offering free shipping through March 13.
  • Also avoiding full isolation. I don’t mean in a physical sense. If your fear/worry/general busyness has kept you from contacting your loved ones, try a text or a call. I’d planned to write some “COVID missives” to pen-pals I’ve neglected before I started writing this post (and I still will, here eventually).
  • Finding joy, even if in alternate universes. My husband and I have immersed ourselves in as many comedies as we can in the evenings, but the most effective panacea has been streaming a favorite design show from the UK in the 2000s. It feels good to immerse myself in something that isn’t about disease at all. And as part of our prepping, we have a new set of soccer nets arriving soon, JIC daycare finally closes.
  • How important (and easy) it is to wash those hands. Around here we sing “Wash, wash, wash your hands, get them nice and clean. Scrub the bottoms and the tops and fingers in between” twice to the tune of “Row, Row, Row Your Boat.

I wish you health and peace of mind. If I read anything particularly interesting while shut in, I’ll share it with you here.

Filed Under: Books, USA & Canada

Alien Citizen: An Earth Odyssey and Life After Growing up Abroad

February 1, 2020 by Isla McKetta, MFA Leave a Comment

Elizabeth Liang reached out to me about her solo show, “Alien Citizen: An Earth Odyssey,” in the week I finished reading Humiliation by Paulina Flores, a book I’d sought out because I wanted to reach into the psyche of a country I once lived in and can never quite let go. Like me, Liang is a TCK, a “Third Culture Kid,” someone who grew up in more than one culture and doesn’t really feel like they have ownership in any culture. In Liang’s case, she is a global nomad who was born in Guatemala to a Chinese-Guatemalan father and an American mother and lived in six countries before going to college. I was born in the U.S. and only lived in two other countries but I felt a deep connection to Liang and was glad to journey with her through her childhood to try and understand mine.

The Intimacy of Personal Address

The majority of “Alien Citizen” is a direct address from Liang to the audience as though she was telling us her life story at a cocktail party. There’s a minimal black set and what look like family photos projected on a screen behind her to ground us in whatever country she’s currently been transplanted to. Liang uses accent, gesture, and language to characterize other people in her life, most evocatively her mother’s waved cigarette and her father’s pointed finger.

The difference between a cocktail party and a show, however, is that the latter requires the performer to keep the audience engaged for the entirety of the performance. Liang delivers on this exceedingly well. She is nakedly honest and sincere about her story and I was riveted as she took me through the highs and (many) lows of her life abroad as Xerox moved her family back and forth between Central America, North America and North Africa. Liang’s emotions are at times raw in all the ways they must have been when she was wrenched from a beloved home or friend or when she found herself becoming in a woman in two cultures that are not friendly to women.

Living an Unreal Life

I don’t talk about my own upbringing much at cocktail parties. When I consider telling people I grew up on three continents, I assume they’ll think I am lying or that the privilege of living abroad will be so unfathomable that I’ll seem like an awful little princess if I discount about any aspect of it. This is the same reaction I had while watching Liang. Even though I should know better, I found myself rankling she seemed to be complaining about her extraordinary life.

It was only by watching through to the end that I realized I was perpetuating (for both of us) the “trying to be the good guest like my parents taught me” that many TCKs feel. That we’re supposed to be cheery and positive and nice because we’re experiencing something beyond most people’s dreams—even as we’re being forcefully pulled away from most of the things we know at a time in our lives when we barely know ourselves. We become so “good at blending” that we “feel like [our] life never happened” and it’s our “fault because [we’re] so good at adapting” and the result is a feeling of “playing make-believe without knowing I’m playing.”

I wasn’t letting her be myriad in the ways that I don’t let myself be myriad.

Once you give yourself “permission to feel the pain, you can be so much more grateful” – Elizabeth Liang, Alien Citizen

I do feel many wonderful things about having had the privilege to travel and live abroad, so much so that I’ve wondered how I can incorporate this into my son’s life. But Liang helped me remember, too, that I don’t spend my spare time seeking out books that will help me understand the cultures I feel like run through my blood (even though I’m certain anyone from those places would consider me a mere Dolezal) because I feel complete and happy and understood.

Liang for allows us inside her struggles and triumphs brings them full circle in a way that helped me more fully understand mine. By being real about the pains, she freed me to experience the joys in the rich, nuanced way that is real life (and to think more holistically about the life I want for my son).

Multilingual Communication

Now that I feel more free to enjoy the fullness of the extraordinary childhood I was treated to, I will say also that I loved how Liang took the freedom to break into Spanish or Arabic during her story. When I was writing Polska, 1994, this is one of the big questions I had to answer—if I break into the language the way I feel it in my body, will I lose people? And the obvious answer is yes, you can, but if you’ve already built trust and momentum with an audience, as Liang did, the audience can and will follow

Geovani Martins addressed something similar in a recent interview in BOMB in reference to his use of Portuguese slang:

Every time a writer explained some slang, I felt like he was telling me: I’m writing this for a specific reader, someone who doesn’t speak like this. I told myself, “Man, I’m going to do the opposite, and use every word I want to use.” Because that’s what literature does. I love Shakespeare, right, but he didn’t make an effort to explain anything to me. If I don’t try to understand it myself, I won’t like him or read him. No great writer in the history of literature has explained things to people in that way. They just wrote their stories in their chosen language and people who liked reading them did so because they were willing to step into the story on those terms. I didn’t understand why it had to be different with me.

By using all her languages in “Alien Citizen,” Liang brings closer the people who can follow her and also envelops the stragglers, carrying them over the hump into something more—a world where we are not just different but also the same, one where tone and gesture speak as loudly as vocabulary.

I could go on for pages about the things I related to in Liang’s show (her relationship with her maids, an irrational fear of conflict, self-silencing and shyness, and more) and some of the things I did not (being racially “other” in the U.S. and transition fatigue). But I don’t want to rob you of the experience of watching it and seeing what you, global nomad or not, might relate to, too. Because we’re all a little alien sometimes, no matter where we come from or where we’re living right now. I learned a lot from Flores’ gorgeous book about the Chile I’ll never really know. From Liang I learned about who I was, am, and want to be. And I’m grateful.

Filed Under: Film, Latin America

  • « Previous Page
  • 1
  • …
  • 5
  • 6
  • 7
  • 8
  • 9
  • …
  • 55
  • Next Page »

Get New Reviews Via Email

My Books

Polska, 1994

Polska 1994

Clear Out the Static in Your Attic

Clear Out the Static in Your Attic_cover

Recent Posts

  • On Creativity and Asking Questions
  • SimCity, Barkskins, and Progress
  • Colm Tóibín’s Brooklyn and the Economy We’re In
  • Woman No. 17, It. Goes. So. Fast. and Writing the Complex Balance of Motherhood
  • Ai Weiwei, The Bicycle Book, and the Art of the Tangible

What I’m Reading

Isla's bookshelf: currently-reading

Birds of America
Birds of America
by Lorrie Moore
The Ecstasy of Influence: Nonfictions, Etc.
The Ecstasy of Influence: Nonfictions, Etc.
by Jonathan Lethem
The Souls of Black Folk
The Souls of Black Folk
by W.E.B. Du Bois
Bomb: The Author Interviews
Bomb: The Author Interviews
by BOMB Magazine
On Writing
On Writing
by Jorge Luis Borges

goodreads.com
  • RSS
  • Tumblr
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
Content copyright Isla McKetta © 2025.