It all started with a joke. My family and I were wandering around the neighborhood, touring nearby construction sites to check on our growing city, and I began describing to my son how there used to be a game where you could build a whole city and then set it aflame. Better yet, you could attack it with monsters. He was entranced and I realized how much I had loved playing SimCity all those years ago. He pestered us for over a week before I investigated in earnest, only to find that I could not get the original game for him. I’m shy of installing apps (as someone who used to work for one), so it took a couple more days before I realized SimCity BuildIt would have many of the same features and I could still keep his garden walled enough. So we downloaded it for him. And for me. Just for fun.
A week later (has it been two? oh God it’s been two) and I’m fully addicted. He’s still only allowed to play it during his usual screen time, but I’m on level 28 and I’m giving significant amounts of my free time to organizing this fictional city and producing goods to keep my people funded and fed. But somewhere in between I have to wait as more nails are produced, so I picked up Barkskins by Annie Proulx. I’ve now developed the habit of interspersing the two—setting my city up as far as I can go and then picking up the book to read another short chapter. But what’s truly weird is the way the two go together.
Barkskins, a Family Lumber Empire, and Paving the Way for a Nation
I can’t recall where I read about Barkskins, but as the daughter of a forester, the idea of reading about how timber has shaped our nation appealed to me. The book follows two (entwined, at times) families, one Mi’kmaw and one French from 1693 until almost the present day (though I haven’t reached actual nationhood for either the U.S. or Canada) as settlers clear the newly “discovered” land, first for the value of the timber, then for the sake of clearing.
Proulx does a beautiful job of inhabiting all of her characters, both the good and the bad, and while there are some baddies in here, the world is rich enough to bypass the noble savage and manifest destiny tropes (though the patois the Native characters sometimes conversed in didn’t feel right). The characters can’t get past that last one, though, as they (Native and settler) clear more and more of the land, looking for profit or a better life.
“‘And God said replenish the earth, and subdue it, and have dominion over the fish of the sea and every living thing that moveth, and every green tree and herb.'” – Hitchbone in Barkskins by Annie Proulx
I learned a lot about early timber trade early in this book as one of the characters travels as far as China to capture a market in a niche he foresees. It boggled my modern mind how he could spend years, between the travel and waiting in country, in pursuit of one market. But it was fascinating to think about where different parts of the world were in terms of “progress,” both Europe and China having cleared large parts of their once virgin forests. I’ve learned about the various jobs loggers had and what happens when you start squaring logs rather than keeping them round for transport. Interesting to me because I come from a part of the world where log trucks loaded with with fully round logs with their bark still on are common.
“‘Take what we can get as soon as we can get it is what I say. I am not interested in fifty years hence as there is no need for concern. The forests are infinite and permanent.'” – Edward in Barkskins by Annie Proulx
While I haven’t finished the book yet (I have other commitments, i.e., these trains won’t dispatch themselves), I have gotten far enough into it where some people are starting to lament the change they are helping create. That in itself is interesting to me as I’m wondering a lot lately about the nature of progress and the role I want to play in it.
“‘Whitemen never see it was our work. For them hunt and fish is only to play.'” – Kuntaw in Barkskins by Annie Proulx
I’m also thinking a lot about our family forest. A project my dad manages but that the next generation is starting to get more involved in. I wonder which character I most resemble and whether I should send copies of this book to all the partners.
SimCity BuildIt and the Art of Productivity
“‘Men must change this land in order to live in it.'” – Rene in Barkskins by Annie Proulx
While I have qualms about whether more is always better in real life, I did not hesitate to mow down grass and trees to make my SimCity just as I wanted it to be. I committed to green power but still need to pollute with factories, sewage, and waste management for the city to function. I’ve built up to the edges and want more space to build more. I set aside the lovely parks I built so I could have more space for more houses (houses bring points and Simoleons that I can use to get more services for my people). Someday I’ll have enough space for both. Right? It’s not like I’ve gotten trapped in an infinite quest for more, bigger, better…
Strangely, when I visit other cities in the game it’s the small ones I’m attracted to. The towering skyscrapers all look the same (not literally, the game is more sophisticated than that) and my eyes glaze over them as I look for the gifts that sometimes pop up. It’s their sakura-lined pedestrian alleys that I dream of, not the towering masses of people. But cherry blossoms are expensive, so I travel and sell, travel and sell. At least I can indulge in how small the world feels as I can trade with cities named using all kinds of alphabets with just a tap of my finger.
I haven’t figured out how to specialize yet. I’m too busy trying to make all the bucks to finally catch up on my delinquent power, water, and sewer debt. Don’t even get me started on police and fire (yet alone education). This is something I’m thinking about for myself, too, as I’m trying to remember what I’m good at and what I actually want to do. We watched the movie Lee last night and Marion Cotillard’s character said to Lee Miller something along the lines of, “You get to figure out what you want to do from where you are now,” and I will probably play with those ideas in the coming weeks.
In the meantime I need to start building a healthy relationship with the game. The way I feel myself getting sucked in is interesting because I know all about gamification and I can see how the staggered production times, the multiple quests, the constant change are all designed to keep me there. And I am happily there a lot, including the one night I spent hours looking for a ladder on the global marketplace (I have vowed never to give them my actual dollars). I’ll have to pare back on the game soon or find a system of playing that lets me dip in and out. There are only so many weeks of summer and I want to see my family.
“‘They believe despoiling is the correct way.'” – Achille in Barkskins by Annie Proulx
One actual benefit to SimCity BuildIt is the limited production capacity. Between factories and commercial buildings, I can’t do everything at once. That’s helped remind me that I can’t do it in my daily life, either. I’ve gotten in the habit this summer of throwing myself at all the work so I can throw myself at family time and in reality I’m exhausted. This past week I started writing down the number of things I hope to accomplish each day. I either fill that quota or I don’t, but having some sort of marker makes the effort and the results tangible in a way that’s helping me pull back.
Yesterday I played outside in the hammock, at least. Today I’m going to let my son make his first app friend (me). This is the world we’re building, one block at a time.
If you want to know more about the role of timber in the “taming” of a continent, pick up a copy of Barkskins from Bookshop.org. Your purchase keeps indie bookstores in business and I receive a commission.
In Brooklyn, Eilis is an intelligent young woman in post-war Ireland with very few prospects. Jobs are scarce and most of the energy of the young women in her village centers around getting married. Eilis is given the chance to move to Brooklyn where she encounters a whole new booming world. She has a job with the potential to move up, she has an education, there isn’t even (in the beginning) a marriage market to speak of. And there are exciting new goods to be bought for herself and her loved ones back home. All of her waking hours go to working or going to school, to the extent that I wondered how she would have time to build friendships or romantic relationships at all (I really was exhausted at times reading about the hours she kept, but also she didn’t have kids and I forget what that’s like).
My son has a book called There Must Be More Than That! by Shinsuke Yoshitake that’s all about choices. At the end the mom offers the daughter two types of eggs and the girl blows up, “Not just boiled or fried! There are more ways to make an egg than that!” and then lists dozens of other options. I love this book with all my heart because it reminds me how much we narrow our lives by just choosing between what we’ve seen before.
No one embraces and embodies the complexity better than Edan Lepucki, and Woman No. 17 delves deeper and with more nuance into the mother-child relationship than anything I’ve read in a long time. Motherhood is an obsession for Lepucki. From
I first heard of Mary Louise Kelly’s It. Goes. So. Fast.: The Year of No Do-Overs on the radio, duh, as NPR is often playing in my home and she is the much loved host of All Things Considered. I remember laughing at her anecdote about the school nurse calling her when she was on the tarmac in Iraq, insisting that she come and get her son. I remember also relating to the deep push-pull that inhabited her interview (and this book) between living for your children and living for yourself. That sounds selfish to me when I type it, and maybe that’s part of the problem as I’ve been trying for all these years to figure out how to be myself and a mother and an artist and a wife and sometimes Corporate Barbie. It’s a lot. It’s so much less, even, than Kelly is doing, and I loved having this insight into her world and her thought process.
I can’t remember if I bought Getting to Yes because I wanted to be better at salary negotiations or if I happened into it at a Little Free Library, but it called to me from the to-read shelf this week. It’s a simple book and effective in it’s framing. The writers even say at the end that the reader probably knows a lot of the things in the book instinctively, even if they haven’t put organized thought into it. I did learn a lot about my own tendencies with positional bargaining and how empathy may have saved me from the holes I dug with that over the years. What was most fascinating, though, was the “What If They Use Dirty Tricks?” chapter, which basically lays out all the ways someone could be negotiating with you in bad faith (and what to do about it).
Speaking of Booker and his 25-hour speech (of which I watched both too much and not enough), there has never been a better time to speak up than now. I think that’s why I’ve kept Small Things Like These beside me all these weeks. It’s a quiet story about one man’s simple life in an Irish town and how he discovers something horribly wrong that everyone seems to know about but no one is questioning. And no one wants him to question, either.
There are many, many reasons to love Babel by R.F. Kuang, from the rich characters to the well-drawn action, but what hit me most about this book as I was reading it this fall was the way she turns history inside out by simply naming the things that were happening from an angle we are unused to. While to my knowledge there was not really a group of translators changing the world in the 19th century by inscribing spells into bars of silver (though it made for a great way to explore the power of language), she has a beautiful way of calling out the everyday assaults of empire:
Nick Troiano is also of the opinion that the system is broken. In The Primary Solution he lays out a strong argument for how our current system of primaries disenfranchises voters and contributes to dysfunction at the party level and at the governing level because of the polarizing list of candidates it allows to move forward.
I think we can all agree that World War II was some of the worst of what the world experienced during the last century. In my typical, “let’s read about the darkest thing we can find to see how people survive it” way, I was glad to read the forthcoming collection Poet in the New World: Poems, 1946-1953 by Czesław Miłosz and translated and edited by Robert Hass and David Frick. While I’ve enjoyed Miłosz in translation before (and structured
I wish I could give A Tale Dark and Grimm ten stars instead of five in Goodreads. This book is deliciously dark in a way that left my nine-year-old begging for more. He felt in control and in on the action and like he was tormenting me, but together we were exploring the edges of the dark and how we could navigate it together. Are coping mechanisms hereditary? It reminded me a lot of the day in March 2020 that my then four-year-old came home and told us about the virus. His teacher (herself a survivor of war in Afghanistan) had shown the children a video explaining what we knew then. And my son, having finally been let in on what the whispers of the last month were about, exuded so much confidence. That’s not to say that the months and years to come were always easy (ha!) or that we told him everything, but that we were all better prepared because we were prepared to treat him like a person with fears and ideas of his own.