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A Geography of Reading

"It is by reading novels, stories, and myths that we come to understand the world in which we live." -Orhan Pamuk

Bringing Light to Characters in In Darkness

July 19, 2012 by Isla McKetta, MFA Leave a Comment

Writing rich characters can be difficult. I’ve been told I should take a stereotype then add something unexpected—as though two dimensions plus one quirk equals a round character. But humanity is more than two layers deep and your audience can tell the difference. Agnieszka Holland’s film In Darkness, written by David Shamoon, displays some of the richest characters I’ve seen in a while.

I will admit to Holocaust fatigue and I was leery of this film for that reason. I’ve been reading various memoirs and histories of the horrors for over two decades. While there is no end to the human suffering that the Nazis inflicted, there is a limit to the nuance I can absorb from these stories. It was daring to try and tell a new story. But the movie succeeded.

I don’t normally review movies (though I might start doing more) but this one is related to TWO books: In the Sewers of Lvov by Robert Marshall and The Girl in the Green Sweater: A Life in Holocaust’s Shadow Krystyna Chiger.

Our Hero

The protagonist, Pan Socha, is a Polish sewer worker during WWII who makes extra money on the side by looting the homes of recently relocated Jews in Lvov. When he hears some Jews trying to escape the ghetto by breaking into the sewer, he could make the obvious choice—the one that is “in character,” but his character is richer than that. Throughout the movie he continues to wrestle between his selfish motivations (greed, not getting shot by Nazis) and his need to do the human thing and help save those lives.

Socha continues to wrestle with his base greed throughout the film, but he also displays growth. There is a moment where he defends Jews as a people (a very dangerous thing to do) while lecturing his friend in a public place. At another time, he steps from the shadows to save the life of a Jew who had given him nothing but trouble.

Socha made Spielberg’s Oskar Schindler look two dimensional. Yes, there is the moment at the end when Schindler cries because he could have saved more Jews, but it felt like a tacked on emotion rather than a breakdown. Socha evolves and grows throughout the film, and though he is imperfect, I loved him for it.

Other characters

Socha’s wife has a central conflict that is very simple, but the way it manifests is beautiful and rich. She initially teaches her husband that Jews are just like everyone else and gives him a lesson on religion to prove it. But when she finds out he is helping Jews, she is livid. You can see her wrestling between her humanity and her need to preserve her family. She does this over and over throughout the film.

Klara Keller also has conflicting desires—she is trying to keep alive the sister she never really liked. Yanek is forced to choose between his wife and his lover and even then can’t find peace. In fact, every character in this film seems torn which befits a movie about such a turbulent time.

Perhaps that’s where some Holocaust portrayals fail—they turn into tales of good and evil. Holland and Shamoon forced me to examine the good and evil within myself. Perhaps the best reason to create robust, lifelike characters is to encourage your readers to examine that complexity within themselves.

Note: I completely failed to credit the writer in the original post. This has been revised to reflect the exemplary work of David Shamoon.

If this review made you want to watch the movie, pick up a copy of In Darkness from Powell’s Books. Your purchase keeps indie booksellers in business and I receive a commission.

Filed Under: Eastern Europe, Film, Other Media Tagged With: characterization, Holocaust, Poland, round characters, World War II

First Impressions Matter in Atwood’s The Robber Bride

July 1, 2012 by Isla McKetta, MFA Leave a Comment

the robber bride - margaret atwoodMargaret Atwood writes in the first chapter of The Robber Bride, “Where to start is the problem because nothing begins where it begins and nothing’s over when it’s over, and everything needs a preface” but she knows exactly where to begin. She begins by creating a world in which the reader could not possibly like Zenia and she does it while the actual character remains almost entirely offscreen.

“The sun moves into Scorpio, Tony has lunch at the Toxique with her two friends Roz and Charis, a slight breeze blows in over Lake Ontario, and Zenia returns from the dead.” –Margaret Atwood

When Zenia she first appears, we know only that she is supposed to be dead and that people are glad. We have met her through the Tony’s memories and Tony’s reaction to her appearance. Zenia does not interact with any of the main characters at that time.
Atwood switches the focus to Charis and then Roz and we come to know and love them and to see their hatred of Zenia, but we still haven’t met her. I sympathize with Tony and Charis and Roz and I believe in their interpretation of Zenia because I have come to know them as full, round characters. I know from them and from their friends their virtues and their faults. The only character who has only faults in Zenia.

What I love about this book so far is that Margaret Atwood is too smart to have Zenia be merely a flat, despicable villain. She has to have a backstory. But at this point Zenia could be the nicest person in the world and she would still have difficulty convincing me of it because I have made friends with Tony, Charis, and Roz, and she is the enemy of my friends. I cannot wait to see how Atwood changes my mind about Zenia.

Introducing a character through rumor is something Fitzgerald did well in The Great Gatsby. I had all kinds of preconceived notions about Gatsby before I ever met him and I loved seeing where the truth of reading proved and disproved them. Though I can see what Atwood is doing, I am loving the process of being manipulated and I am so excited to find out what she does next.

If this review made you want to read the book, pick up a copy of The Robber Bride from Powell’s Books. Your purchase keeps indie booksellers in business and I receive a commission.

Filed Under: Books, USA & Canada Tagged With: Canadian Literature, round characters, Withholding

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Polska, 1994

Polska 1994

Clear Out the Static in Your Attic

Clear Out the Static in Your Attic_cover

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What I’m Reading

Isla's bookshelf: currently-reading

Birds of America
Birds of America
by Lorrie Moore
The Ecstasy of Influence: Nonfictions, Etc.
The Ecstasy of Influence: Nonfictions, Etc.
by Jonathan Lethem
The Souls of Black Folk
The Souls of Black Folk
by W.E.B. Du Bois
Bomb: The Author Interviews
Bomb: The Author Interviews
by BOMB Magazine
On Writing
On Writing
by Jorge Luis Borges

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