A writing professor once advised me to keep writing fresh and to examine the words you use—tears don’t ever really roll down someone’s face. But how can you reexamine every word or phrase you use and still have time to write? Sometimes it helps to look at things from a new perspective and this week Haruki Murakami helped me do just that with The Wind-Up Bird Chronicle.
When I read “network of red lines” as a description of the narrator’s bloodshot eyes, my writing spidey-sense perked up. “Bloodshot” is an easy word. Too easy. You can say “spider web” but that stands out against nearly any paragraph. I loved “network of red lines.” It was concise and vivid and I could picture it and it also didn’t have to interrupt the flow. Except I wanted it to because it made me think about freshening my own descriptions.
A note on translation here: I don’t read Japanese, so I will never know exactly what words Murakami uses, and I am taking for granted that his translator has not run away with the story. Also, “network of red lines” could be the way bloodshot eyes are standardly described in Japanese. Regardless, it was new to me and I loved it.
I read Murakami chiefly for fun, though he is a wonderful and imaginative writer. I am grateful to him for reminding me that language is infinite and even one fresh examination can spawn wonder. I’m off to see if I can spawn some fresh imagery in my own writing. Just as soon as I finish this fantastic book.
If this review made you want to read the book, pick up a copy of The Wind-Up Bird Chronicle from Powell’s Books. Your purchase keeps indie booksellers in business and I receive a commission.
Isla McKetta, MFA
Author of Polska, 1994 and co-author of Clear Out the Static in Your Attic: A Writer's Guide for Transforming Artifacts into Art, Isla writes fiction, nonfiction, and poetry. She holds an MFA in Creative Writing from Goddard College and BAs in Sociology and Political Science from the University of Washington. Isla makes her home in Seattle where she writes fiction, poetry, and book reviews and has served on the board of Seattle City of Literature and Hugo House. Recent poems can be found at antiBODY, Cascadia Rising, Hummingbird, {isacoustic*}, Lily Poetry, Minerva Rising, and Riddled with Arrows.
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