A Geography of Reading

"It is by reading novels, stories, and myths that we come to understand the world in which we live." -Orhan Pamuk

Pictures of The Emigrants in W.G. Sebald

by Leave a Comment

I started reading The Emigrants by with pictures on the brain. I knew the book included photographs and I was interested to see how the pictures interacted with the text. At first the images simply interrupt the text. There are never any captions although they are related to the surrounding text. The Aare glacier is mentioned on page 15 and a photograph of a glacier is on the facing page. The reader is left to make the determination of whether this photo represents the Aare glacier or the general idea of the glacier. Because I was in a critical frame of mind, I questioned the provenance of every photograph wondering whether the children pictured on page 39 were Sebald and his classmates.

I could not, however, stop the pictures from coloring my impressions of the book. When Sebald includes a picture of an agenda book on page 127, I wanted to believe it was Ambros’s agenda book. I wanted to pick it up and feel the cracked leather against my skin. When Sebald begins integrating descriptions of the photos or references to them into the text, the pictures naturally merge more fully with the story. This happens on page 71 when Sebald writes, “The photograph that follows here, for example, was taken in the Bronx in March 1939” and he goes on to name the people in the photograph.

What is most interesting about the photographs is that although I was wary of them throughout the book, on the very last page when Sebald describes a photograph from a Frankfurt exhibition, writing, “Behind the perpendicular frame of a loom sit three young women, perhaps aged twenty….Who the young women are I do not know,”, I wanted desperately to see that picture. I had begun to take for granted the photographic “evidence” peppered throughout the text and when he describes most fully and tantalizingly this one photo, I wanted to see it.

I am still undecided as to whether or not to use images in my own text. I am suspicious that I want to fall back on pictures to make the story feel more true. Until I can find a better reason, I think I may omit them.

If this review made you want to read the book, pick up a copy of The Emigrants from Powell’s Books. Your purchase keeps indie booksellers in business and I receive a commission.

Author of Polska, 1994 and co-author of Clear Out the Static in Your Attic: A Writer's Guide for Transforming Artifacts into Art, Isla writes fiction, nonfiction, and poetry. She holds an MFA in Creative Writing from Goddard College and BAs in Sociology and Political Science from the University of Washington. Isla makes her home in Seattle where she writes fiction, poetry, and book reviews and has served on the board of Seattle City of Literature and Hugo House. Recent poems can be found at antiBODY, Cascadia Rising, Hummingbird, {isacoustic*}, Lily Poetry, Minerva Rising, and Riddled with Arrows.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.