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A Geography of Reading

"It is by reading novels, stories, and myths that we come to understand the world in which we live." -Orhan Pamuk

Colm Tóibín’s Brooklyn and the Economy We’re In

August 2, 2025 by Isla McKetta, MFA Leave a Comment

It’s no secret that I’m in the middle of an era of transformation. My husband and I started thinking about how to make a big change (and what that change might be) in January 2020. We were somewhat waylaid by a global pandemic and then general corporate upheaval. We started talking seriously again about change when I decided I’d had enough of that particular upheaval. But as much as I know what I actually want (a quiet life with my family somewhere with great community where my husband and I can both afford to be artists), I don’t know how to afford that. Which is a long way to say that Brooklyn by Colm Tóibín landed in my lap at a good time.

Village or Opportunity

cover of brooklyn by colm toibin showing an old storefront in black and whiteIn Brooklyn, Eilis is an intelligent young woman in post-war Ireland with very few prospects. Jobs are scarce and most of the energy of the young women in her village centers around getting married. Eilis is given the chance to move to Brooklyn where she encounters a whole new booming world. She has a job with the potential to move up, she has an education, there isn’t even (in the beginning) a marriage market to speak of. And there are exciting new goods to be bought for herself and her loved ones back home. All of her waking hours go to working or going to school, to the extent that I wondered how she would have time to build friendships or romantic relationships at all (I really was exhausted at times reading about the hours she kept, but also she didn’t have kids and I forget what that’s like).

It’s an interesting book because Eilis kind of floats through these experiences and even her choices feel more inevitable than chosen. But Tóibín does an excellent job of showing the juxtapositions between the two worlds and I really felt like I was with Eilis in many of her experiences (even the boat, ugh). I suppose the floating feeling mirrors the feeling of being trapped when we don’t see that there are paths we’re choosing between, consciously or not.

Slight spoilers incoming—if you don’t want to know, skip to the next heading. Eilis does manage to find a partner and then she’s called home to Ireland. The village she encounters suddenly shows what she’s been missing. She’s surrounded by community and a quieter life. There are even better job prospects than before. And Eilis has to choose which she wants.

What I See in Our Economy Now

The stock market is swinging high because corporate profits are high (in part) because layoffs are high. Everyone is being asked to do more with less. CEOs are doubling down on unproven technology (AI) because they see the potential for more profits and more cost savings. Those cost savings mean more layoffs.

It’s a squeeze. And it’s coming from all sides trying to get the most almighty dollars for someone, somewhere.

AI is a Bubble

Many AI projects I’ve seen are top-down demands rather than creative applications from the workers who could be working in partnership with the technology (and thus are best equipped to plan for implementation, if only they had the space to have a creative thought on how to do so). Don’t even get me started on the automated systems behind stock market bidding.

Diminishing Returns

Also, the potential wins are finite. The workers losing jobs won’t be in positions to buy the goods or services that keep our economic engine rolling. Nor do the white collar workers in the industries they were conditioned to covet want to suddenly become blue collar workers in completely other states, no matter how many jobs are opened up by the current administration ejecting the workers already doing those jobs. So the goods won’t get made, which is okay if no one can buy the goods. We won’t be able to import them, either, at least not at any price close to what we used to pay.

There is a diminishing return on the choices that are being made right now.

To Each His Own (At Our Peril)

It feels like things used to be different. Not in a hazy “heaven” sort of way, but in the idea that there was some collective responsibility. When a company was struggling financially, there were sometimes conversations about choices workers could make (reduced salary, etc.) to keep the company from having to lay people off. Now my friends tell me stories of highly profitable companies that are laying people off just to make the quarterly earnings report look that much better.

Fear Serves No One (Good)

This all strikes me as a bit desperate and short-sighted. At the same time I see workers who can afford it opting out of this extractive system to either make something of their own or wait and see what happens next.

What happens next is my big question. At some point, companies are going to need their best and brightest back in order to envision the creative possibilities that put them ahead of their competition. There was a glimmer of this in the middle of the pandemic when the gloom of the initial “what will even happen to the world” fears wore off and companies were willing to invest in growth through staffing up. So maybe this climate of desperation turns toward one of opportunity when this new global fear lifts a bit.

A Third Option

Still, I keep thinking there is opportunity to make something better now, not just for me and my family, but for all of us. We just need someone who can see what the next first step toward that is.

Cover of There Must Be More Than That! showing illustrations of children using a blanket in a myriad of creative waysMy son has a book called There Must Be More Than That! by Shinsuke Yoshitake that’s all about choices. At the end the mom offers the daughter two types of eggs and the girl blows up, “Not just boiled or fried! There are more ways to make an egg than that!” and then lists dozens of other options. I love this book with all my heart because it reminds me how much we narrow our lives by just choosing between what we’ve seen before.

I’m an artist. I’m usually good at looking things from new and unexpected angles. I haven’t cracked this one yet, but if you have ideas of how to build toward something better, I would love to hear them. Together we can make rolled eggs, scrambled eggs, an omelet, a painted egg, shakshuka, or even something no one has ever dreamed before. Even if we choose a boiled egg in the end, isn’t it better to at least imagine the possibilities?

If you want to learn more about either of these books, pick up a copy of Brooklyn or There Must Be More Than That! from Bookshop.org. Your purchase keeps indie bookstores in business and I receive a commission.

Filed Under: Books, USA & Canada

Woman No. 17, It. Goes. So. Fast. and Writing the Complex Balance of Motherhood

July 12, 2025 by Isla McKetta, MFA Leave a Comment

Is any identity more fraught with social expectation than motherhood? Our culture is as filled with images of gooey angelic perfection as it is with bitch queens who betray their children. My generation has put a special spin on the topic, doubling down on mothers who are aware of this duality and embrace the messy darkness (see Revolutionary Mothering and Nightbitch for a spectrum of how this is handled). There’s a freedom to talk about how hard it is to be a mother that humanizes the idols we’ve created, even if we’re not ready to let our own mothers off the pedestals yet. This week I read two books in the space of 24 hours that dove into this charged topic in ways that stretched and comforted me: Woman No. 17 by Edan Lepucki and It. Goes. So. Fast. by Mary Louise Kelly.

Woman No. 17 and Being the Mess You are Fighting

Cover of woman no 17 with a woman in a swimming pool seen from the backNo one embraces and embodies the complexity better than Edan Lepucki, and Woman No. 17 delves deeper and with more nuance into the mother-child relationship than anything I’ve read in a long time. Motherhood is an obsession for Lepucki. From You’re Not Yet Like Me to California and Mothers Before, everything I’ve read of hers engages deeply with this topic from a wide variety of angles.

In Woman No. 17, Lepucki introduces a range of characters who are struggling with maternal bonds. Lady is a mom of a newly adult son and a toddler, both of whom she adores and both of whom she can’t get away from fast enough. Her own mother is only seen in retrospect, a woman so toxic Lady cut her out of her life except for a brief period of need during which Lady’s mother paid Lady’s lover (and father of her eldest son) to disappear. Lady hires a nanny, S, to care for her youngest while she writes a book that is supposed to be about her eldest son but is instead about her mother. S is a young artist who has decided to pose for the foreseeable future as a character similar to her own alcoholic mother while she explores various angles of motherhood through a myriad of artistic media.

“In those moments, I lost myself, forever and hallelujah, and it was like I was stepping back into the womb, tunneling farther away from that even, to before my mom had anyone but herself to fail.” Edan Lepucki – Woman No. 17

What got me about this book is how well Lepucki portrayed the duality of her characters’ desires. Lady wants to be with the husband she kicked out, while a part of her still craves being the person she was all those years ago with her ex. She’s fiercely protective of the normality of her disabled son and also looking for someone to blame for his disability. S wants to find herself in art by being literally anyone else. The list goes on.

“The thing Lady didn’t get, or the thing she’d forgotten, was that being a child was painful too. She was so wrapped up in losing Seth, in the treacheries of him growing up, that she couldn’t remember what it felt like to be the one on the other side. The burden of that. Sure, Seth had left her womb and never returned, but he was the one who had to do the leaving.” Edan Lepucki – Woman No. 17

What Lepucki captures here the torture of of thinking you should be one thing, living another, and not being sure of what you actually want in any of it. It’s a formula that works for any cultural expectation, but it’s especially charged (at least for me) when it comes to motherhood. For a variety of reasons, I don’t have the relationship I want with my mother (and it’s not an accident I was reading this book on her birthday). For a variety of reasons, I don’t see that changing. I am, however, actively working on my relationship with my son, and books like Woman No. 17 give me something to actively ping my own desires, actions, and expectations against, and I found hints of healing in the dysfunction because motherhood IS messy. Our expectations ARE unreasonable. And parenting IS hard. Sometimes just seeing the truth of that complexity makes it all easier to bear.

Read the book for your own messy parental relationships or just to experience a masterful portrayal of human ambiguity. There’s so much in here I did not describe. You’ll love it.

It. Goes. So. Fast.: The Year of No Do-Overs

Text-only cover of it goes so fastI first heard of Mary Louise Kelly’s It. Goes. So. Fast.: The Year of No Do-Overs on the radio, duh, as NPR is often playing in my home and she is the much loved host of All Things Considered. I remember laughing at her anecdote about the school nurse calling her when she was on the tarmac in Iraq, insisting that she come and get her son. I remember also relating to the deep push-pull that inhabited her interview (and this book) between living for your children and living for yourself. That sounds selfish to me when I type it, and maybe that’s part of the problem as I’ve been trying for all these years to figure out how to be myself and a mother and an artist and a wife and sometimes Corporate Barbie. It’s a lot. It’s so much less, even, than Kelly is doing, and I loved having this insight into her world and her thought process.

“It is both a relief and a little disconcerting to realize that your kids are going to turn out the way they turn out, no matter what you do.” – Mary Louise Kelly, It. Goes. So. Fast.

The premise of the book is that she is trying to double down on being a present parent during the last year her eldest son will be at home. Her family seems loving, her children well supported, and still there is this tension of how impossible it is to get everything you want. I laughed with Kelly throughout this book, and I wept with her as well. Mostly I felt held, supported, guided, by a woman of my generation who is a bit farther down the parenting line than I am.

“This pain is the cracking of the walls as the room grows.” – Mary Louise Kelly, It. Goes. So. Fast.

It’s been a summer of wrestling around here where my son has been at home for three, camp-free weeks so far and I’m on a bit of a career hiatus while also doing freelance work that could take up most of my time. Each time I’ve been turned down for a job in the past few months (and in this market, I’ve been lucky to have as many interviews as I have), I’ve known that I’m lucky to get to spend that much extra time with him this summer, perhaps the last that he’ll awake with joy, ready to play Legos and “Let’s Make a Movie” in his bed (where we voice play everything from the ideation through the test screening and release of what’s sure to be Marvel’s next blockbuster). I love it.

And also I’ve stopped doing things that I used to do to take care of myself. Instead of the thirty minutes of yoga and Harper’s I used to allow myself in the middle of the day, I pack in one more round of edits so my mind can be free for play when I leave my office. But of course my mind isn’t free, because I allow myself no transitions and I’m simply tired when I get to him. I know better, but it’s hard to find the balance that lets me get done what I need to get done, take care of myself, and soak up every blessed minute of that sweet boy that I can right now. Kelly’s voice was like a balm to me and I was grateful to have saved this book for this time.

“Which choice would you be able to defend to a child? Which choice will allow your eighty-year-old self to sleep at night?” – Mary Louise Kelly, It. Goes. So. Fast.

I’d love to hear more about the complexities you’re navigating, whether in writing or in life, and what’s keeping you going (books or otherwise). Please leave a comment if you have a story or a book rec you want to share.

If you want to explore the complexity of parenting, pick up a copy of Woman No. 17 or It. Goes. So. Fast. from Bookshop.org. Your purchase keeps indie bookstores in business and I receive a commission.

Filed Under: Books, USA & Canada

Ai Weiwei, The Bicycle Book, and the Art of the Tangible

June 14, 2025 by Isla McKetta, MFA Leave a Comment

I’m still trying to figure out where I fit in the world, reconceptualizing my career and the way I spend my time. Naturally, I’m turning to books, but I’ve also been slowing down, paying attention to moments and returning to old favorites. Recently, that brought me to The Bicycle Book by Bella Bathurst, but I didn’t realize what I needed most about that book until a visit to the Ai, Rebel show at the Seattle Art Museum yesterday, and now I can’t stop thinking about all the ways connecting to the tangible is the best healing and the best path forward I have.

The Bicycle Book by Bella Bathurst

Cover of The Bicycle Book depicting pieces of historical bicyclesI first fell in love with Bathurst’s writing when I read an excerpt of The Lighthouse Stevensons, and I bought The Bicycle Book because I love the way Bathurst allows her curiosity to guide her exploration of whatever she’s writing about. And because I dream of fixing up my mom’s old Gitane someday and riding down to the park with the wind in my hair. It’s a project I started last summer, but I stalled at the “I really want to repaint this, but to repaint if I have to take it apart… and then what?” stage. The bicycle is functional, but not as beautiful as when my mom rode it around Seattle before I was born or when my dad had his and my bikes repainted in high school in any color I wanted. Aqua is the color of a father’s love.

Much to my delight, The Bicycle Book starts with Bathurst working with a craftsman to build her own bike from steel. I’ve always wanted to weld, so my envy was pure, but also there was so much to be learned (for writer and reader) in this process of hands-on creation. I loved that section of the book most, although I spent most of the next week telling my husband fun facts about everything from the various subcultures of bike messenger in cities across England to how bicycles democratized transit in most of the world (and how England lost out).

Ai Weiwei Makes Tangible

Pile of broken down bicycle parts by Ai Weiwei
No segue here because the book faded from my mind for a few weeks until I saw at the SAM show what Ai had done with bicycles. In the picture above, you’ll see the pile of dismantled and cut apart bicycle parts that lines a whole wall in the museum. Below is “Forever Bicycles,” a structure built from the most common type of bicycle in China (the pile of parts is in the background here).

Cage built of bicycles by Ai Weiwei
The type of bicycle is important because bicycles were also a democratizing element in China, giving people the power to travel farther distances. There’s a more complicated message involving China’s recent history, but I got sucked into the way Ai is playing with the bicycle as material—both as a material object and the materiality of its component parts.

As a recovering sculptor, I was obsessed.

I held that feeling of the delight of play with me until I walked into the next room of the exhibit—a room whose ceiling is filled with a snake made of backpacks. “Snake Ceiling” seems playful, but it is also deadly serious, recalling the thousands of children who died in substandardly built schools during the 2008 earthquake. It was then that I felt a deep kinship with Ai Weiwei. You see, I am filled with generative energy. Using that to build, make, or create things is the best contribution I have to the world. It also keeps me sane. I once created a painting pierced with thousands of french knots representing the people who died of AIDS in Africa in because I wanted to feel each life for a moment.

While there are interesting things he does (including a wall-size depiction of the Mueller report in Lego overseen by a marble surveillance camera), the pieces in the show I returned to were the ones where I could feel the tangibility of material objects.

For instance, the stack of stools above was endlessly fascinating to me. I loved the way they all looked the same, but they aren’t. You can see from the supporting structure between the legs of each stool that some carpenters used a triangle and others used a key. One even created something that looks like a star (see below). The gentle differences in each of these handmade objects spoke to me and I could imagine the satisfaction of running my hands over the wood in building one. My dad was a carpenter a long time ago and I wonder if I inherited this love of making from him or if connecting with tangible objects is something all humans need.

I took that feeling of tangibility with me on the rest of the field trip (it was the last Friday date my husband and I will have alone for awhile because school lets out next week) as we walked into Pike Place Market. There, the bricks in the street are being relaid.

Laying street bricks in Pike Place Market

We didn’t get to see any workers, but I thought about the people behind these processes. It could be such a monotonous job, but I hope they find pleasure in building something that is so foundational, just as I felt pride this week when I was able to help my husband mud the drywall in the artist studio he’s building out back. I am not good at it, but I can imagine what it would feel like to do the same thing over and over with my hands until my work is nearly invisible.

The last stop on our field trip was to visit a friend who had made—with her hands—a pair of glasses for me.

The Changing World

I won’t go into politics, because what even can I say, but the world is changing around us in a lot of ways. In my neighborhood, that means that many old homes are being torn down. It’s a good thing because we need the density, but it’s jarring because I’ve lived here for nearly 28 years. On our way home from the bus we walked past this house with the telltale temporary electric pole out front:

Old house about to be torn down

You can see the roof is in poor repair, something that was true for at least the last couple of years. And we wondered about the people who’d lived there, likely for a long time, and if they’d gotten priced out because it’s expensive even to have repairs done here. I won’t remember this house forever, just as I have forgotten many of the houses nearby that have been torn down in the past few years. And the change is long overdue (which makes it harder because it’s happening all at once). But it reminded me of these bricks from the Ai Weiwei exhibit:

The bricks are from old (probably ancient) homes in a hutong, the old-style alleys in Chinese cities. I’ve been to the Beijing hutong and the layers of history felt special. I can also imagine that the space could be more efficiently used, if efficiency is the goal. What I loved about this piece is the commemoration of the material, and through that, the home that once stood and the lives lived therein.

Maybe it’s because I work in digital marketing, maybe it’s because I’m a little lost right now, but these reminders of the pleasures of engaging with the material world feel deeply important. Having just wrapped the best version of my novel, Naked Driving to the Witches’ Graveyard, that I can complete on my own, it’s a great time to find new things to do with my generative energy. To figure out what I want to change and how to commemorate what once was.

If you’re interested in exploring your relationship with the tangible, I recommend The Bicycle Book and Ingrained: two books that touch on what it is to make something with your own hands. Buy them from Bookshop.org and I get a commission.

Filed Under: Art, Asia, Books

Silence and Speaking Up in Aflame and The Empusium

June 6, 2025 by Isla McKetta, MFA Leave a Comment

It feels like a natural day to reflect on silence as my husband is on a field trip with our son and I have the whole house (and garden!) to myself. It’s just me and the distant sirens on this hermitage (oh, the joys of opening the windows on a summery day). But I’ve been thinking about silence and the things we say and don’t say ever since I read Pico Iyer’s Aflame, followed quickly by The Empusium by Olga Tokarczuk.

Peaceful Reflection in Aflame: Learning from Silence

cover of aflame with a red background and a gold sun outlineMaybe I’m always thinking about silence. That’s part of the reason why I put Aflame on my Christmas, birthday, and Mother’s Day wish lists. Of course I love Pico Iyer’s work and worldview, and I’ve been re-exploring Buddhism in this time of reconsidering after I left my job. That last bit is why this book felt so necessary for me right now—the book being not just about one retreat Iyer took, but instead touching on the hundreds of retreats he’s taken throughout his life.

“The new Pope [Francis] prayed, I read, not for an answer to any problem, but only for the courage to live with the unanswerable.” – Pico Iyer, Aflame

Iyer writes of how this annual ritual, coupled with one he undertakes in Japan in a different season, enriches his life. He describes that at the hermitage, “Nothing feels forbidden here because there’s no one I’m supposed to be.” A feeling I can relate to in this silent afternoon. It’s hard to make the most of it, because, as a monk relates to Iyer, “We bring [stress, acceleration, dividedness] with us… And sometimes it can be more intense here because it’s more internal.” In truth, I’ve felt myself puttering around today, looking for something to do, wondering what it even is that I want to do or even eat. I know from writing retreats, though, that this feeling passes when I give myself the time to stop worrying into it. As another monk that Iyer quotes says, “[P]eople need the silence to hear themselves.”

What made me want to write about this book, though, is the spareness with which Iyer details his experiences. It’s a stylistic choice, and one that leaves the reader open to insert their own experiences, worries, and meditations into the space. It can also feel odd at times, like when Iyer writes of a songwriter friend. He mentions some lyrics that sound vaguely familiar, but leaves off naming Leonard Cohen for quite some time. This technique effectively focuses the reader (at least one with a poor memory) on what they are discussing rather than the blam, in-the-face fame moment, which I appreciate. But the name drop still slapped me when it occurred and I found myself wondering if Iyer had argued with his editor about even including it, because the book is rich and relatable enough on its own.

Reading this book is itself a meditation. While I miss taking writing retreats (I will again, someday, when I figure out how a better balance between earning and making), just spending time leafing through this book helped me deepen my sense of peace and understanding of the world. Which helped me remember also that there is joy in engaging with it.

“The Buddha’s lesson, too, excessive renunciation is still excess.” – Pico Iyer, Aflame.

Saying the Quiet Part Out Loud in The Empusium

cover of the empusium with a skeletal woman in oldstyle dressI have also loved Tokarczuk’s work before, though The Books of Jacob was a bit much for me. So I opened The Empusium thinking only that I was ready for whatever ride she wanted to take me on. I was not prepared for how closely this book mirrors The Magic Mountain, nor was I prepared for how effectively she was going to use a profluence of words against the characters who are speaking them.

The Empusium is, in that way, the exact opposite of Aflame, because it’s only by filling in an excess of detail that Tokarczuk can show us what we’ve been failing to see all along. The book follows Mieczysław Wojnicz as he travels to a health resort to be cured of “various conditions best understood not by him but by his father.” Which, I understood from reading more of the book, was a deep shot not just at Wojnicz the elder as patriarch but at the Patriarchy in general.

This book cleverly turns the Patriarchy flat on its head in many ways, but the one I most wanted to share with you today is how Tokarczuk fills the mouths of the men around Mieczysław with the words and ideas of many great thinkers throughout history.

  • “In the philosophical sense we cannot treat a woman as a comprehensive, complete subject of the kind that man is.”
  • “A woman should have her rights, of course, but she should never forget that she belongs to society, which appoints the institution of the state to take care of its interests, so to but it logically, a woman, hm, hm, can be commanded by the state.”
  • “Women…are incapable of creating a national organization, or even a tribal one, because by their nature they submit to those who are stronger.

Unfortunately, we live in a time when not all audiences would read these ideas as outdated. Some would, alas, celebrate the misogyny. The beauty of what Tokarczuk has done, though, is allowing people to read those characters however they choose, piling (to me) uncomfortable statement on top of uncomfortable statement and then smacking anyone who is confused on where her moral center lies with an author’s note at the end:

“All the misogynistic views on the topic of women and their place in the world are paraphrased from texts by the following authors: Augustine of Hippo, Bernard of Cluny, William S. Burroughs, Cato, Joseph Conrad, Charles Darwin…[and so on to include 30 additional fathers of knowledge]” – Olga Tokarczuk, The Empusium

There are other, subtler ways she plays with masculine and feminine roles and stereotypes in this book. There are also less subtle things involving copulating with holes in the ground. It’s a masterful and darkly funny book, one that’s direly needed in the now. If only we could get people to read it…

I’m off to hang out in the hammock with Gary Shteyngart as he skewers the 1% class… May your weekend be filled with the kinds of silence you most love.

“‘Everything will be all right in the end,’ says Cyprian, steering the car away from the precipice. ‘I fully believe that. If it’s not all right, it’s not the end.'” – Pico Iyer, Aflame

If you need a meditation or a wake-up call, pick up a copy of Aflame: Learning from Silence or The Empusium from Bookshop.org. Your purchase keeps indie bookstores in business and I receive a commission.

Filed Under: Books, Eastern Europe

Small Things Like These, Getting to Yes, and Seeing “Now” Clearly

April 9, 2025 by Isla McKetta, MFA Leave a Comment

As I write this, the stock markets are tanking. The bluster and bluffing of one world leader is categorically destroying the financial value of markets around the world. Which made this an interesting week to read Getting to Yes by Roger Fisher and William Ury. It’s also an important time to reflect on Small Things Like These by Claire Keegan which has sat beside me on my desk for over a month after I finished reading it, because I know it still has things to teach me.

Getting to Yes: Negotiating Agreement Without Giving In

cover of getting to yesI can’t remember if I bought Getting to Yes because I wanted to be better at salary negotiations or if I happened into it at a Little Free Library, but it called to me from the to-read shelf this week. It’s a simple book and effective in it’s framing. The writers even say at the end that the reader probably knows a lot of the things in the book instinctively, even if they haven’t put organized thought into it. I did learn a lot about my own tendencies with positional bargaining and how empathy may have saved me from the holes I dug with that over the years. What was most fascinating, though, was the “What If They Use Dirty Tricks?” chapter, which basically lays out all the ways someone could be negotiating with you in bad faith (and what to do about it).

“Good negotiators rarely resort to threats.” – Getting to Yes

That’s where the tariffs come in. I don’t think any of us think our “dear leader” is a master negotiator (except he himself). But it’s illustrative to see how he ticks all the boxes in this chapter, from phony facts to threats to extreme and escalating demands. It also helped me understand why some of the approach from the U.K. to the man has seemed so artful. They are using soft but firm negotiating tactics of their own, tactics that depersonalize the problems and work toward ameliorating core concerns. I also found hope for the Ukraine situation in the “Negotiate with someone like Hitler?” as I thought about this article in Harper’s about some of Putin’s core concerns that we never talk about.

It’s a great book to read for your interpersonal relationships, business relationships, and seeing how things could be done better. They can be done better, right? Because I’m ready for a lot less bluster and a lot more Booker.

Small Things Like These

cover of small things like these with a village landscape against a green skySpeaking of Booker and his 25-hour speech (of which I watched both too much and not enough), there has never been a better time to speak up than now. I think that’s why I’ve kept Small Things Like These beside me all these weeks. It’s a quiet story about one man’s simple life in an Irish town and how he discovers something horribly wrong that everyone seems to know about but no one is questioning. And no one wants him to question, either.

“He found himself asking was there any point in being alive without helping one another? Was it possible to carry along through all the years, the decades, through an entire life, without once being brave enough to go against what was there and yet call yourself a Christian, and face yourself in the mirror?” – Small Things Like These

Bill Furlong will surely pay for his actions in all the ways his wife predicts he will. But isn’t it better that he tried?

Fisher and Ury write that “principled negotiation can help make the world a better place.” I’ve kept this blog post on thirty actions you can take right now open on my phone to remind myself that even small actions matter. What are you doing today to make the world as you want it to be?

Filed Under: Books, USA & Canada

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Polska, 1994

Polska 1994

Clear Out the Static in Your Attic

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Recent Posts

  • 2025 National Book Awards
  • Arriving at Asimov’s Foundation Through the Back Door
  • Considering Voice in I Am Cleopatra and Cyborg Fever
  • On Creativity and Asking Questions
  • SimCity, Barkskins, and Progress

What I’m Reading

Isla's bookshelf: currently-reading

Birds of America
Birds of America
by Lorrie Moore
The Ecstasy of Influence: Nonfictions, Etc.
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On Writing
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